Archive for the ‘The Addict’ Category

FRANK MILLER’s RONIN WILL KICK YOUR AZZ…

Monday, April 19th, 2010

ronin

Editor’s note: All this ‘Kick Ass’ talk made me search the DP.com archives yesterday and I uncovered this ancient drop about one of my favorite writer’s graphic novels.

Fanboy Saturdays @ DP Dot Com just went up to 100 on the Fresh To Def-a-tron. With the news that FRANK MILLER’s ‘Ronin’ mini-series is about to be produced for the big screen we here at the site are preparing for the day that some Warner Brothers exec has the balls to greenlight the Dark Knight Returns for a similar cinematic debut.

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FRANK MILLER’s ‘Ronin’ is epic piece of comic art and storytelling. Feudal Japan meets a future apocalypse in New York City. A masterless samurai finds himself transported one thousand years into the future to avenge the death of his master and save the world. Just like all the great dystopian futures we find that biological engineering can’t help itself but to find it’s evil potential. Corporations now control your body and your mind in this brave new world.

The landscape of ‘BladeRunner’ comes to mind when I look at some of the beautifully rendered splash pages that MILLER inserted into this graphic novel. The question of what defines humanity is the essence of the story and because FRANK MILLER is telling the story means that there will be plenty blood and guts throughout.

ronin

If you lived in New York City I would tell you to visit the Forbidden Planet store on Broadway @ 13th Street. All their fanzines and graphic novels are available for perusal and review. As long as I go in there without any money on me I’m fine.

ronin

AIR MAXED OUT!

Saturday, April 17th, 2010

nike air

It was one of those wonderful ‘Oh Shit!’ moments for me when I was walking down West 34th Street across from Macy*s and peeped what was inside FootLocker’s display window. Wham! (no George Michael) It hit me like an ice cold breeze. Nike had finally gotten the message that the Air Max was life sustaining air. At least for us sneaker fiends it is…

Perched on top of multi=colored oxygen tanks were the latest Air Max offerings. Some of the classic styles mixed with the latest Air Max+ 2009 and a brand new hybrid called the Air Max 24-7 (I wasn’t enthralled with the name, but the shoe is fire flames james). It was a serendipitous moment for me since I never, if ever look into FootLocker to see what they are offering.

I walked inside and proceeded to have my mind blown. The Air Max programme is at the center of this sneaker fiends’ dreams. The concept of putting air inside of a shoe where there once was rubber and foam is a glorious step towards the future dystopia. There was once something and Nike has replaced it with nothing and charges me more for the less it gives me. I keep buying it too.

These will be the shoes that I wear when I ride on the pale white horse…

am95
am95
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Air Max ’95
Ain’t nothing changed with the classic style. The uppers’ premium materials and the kelly green midsole are what we haven’t seen together before. Suede and patined leather? I wasn’t ready.

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am95
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Air Max 24-7
The Air Max 24-7 is a hybrid of the AM95 and Air Max 97 uppers placed on top of an Air Max 2009 platform. After holding this shoe in my hands I needed this joint in my life. The perforated leather upper is soft and smooth and it helped to buffer the $160 pricepoint.

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Air Max+ 2009
This was the moment that the clouds opened up and I heard these angelic voices going “Aaaaahhhhhhhhh”. These shoes are crazy. They are beautiful and ridiculous all in one fell swoop. I think they are all red because Nike is giving the proceeds from these shoes to fighting AIDS in Africa via the project (RED).

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Okay, I just made that up to justify my purchase. Nike isn’t giving shit away. They’ll be using the profits from these shoes to buy up all of the oxygen on the Earth so that come tomorrow we will all be breathing Nike Air.

Ha.

That’s what I would do.

Kick-Ass >>> Watchmen

Saturday, April 17th, 2010

kick ass

Mark my words…

I’ll post the review as soon as I get back home.

DP x Donwill = Hi-Fi Hip-Hop…

Thursday, April 15th, 2010

don cusack

Peep the exclusive interview I have with Tanya Morgan’s DonWill as we talk about rap and bullshit. #iHipHop

Tripping At Mars (NYC 1991)…

Wednesday, April 14th, 2010

trip

Dark Side to New York’s Neon Clubs

That NYTimes article depicts a time long past in NYC history. I remember the nights of going to some spot that would have an open bar and a $5 dollar cover charge, but we wouldn’t even have the $5 to get in so we would dig someone’s pocket beforehand. Silly kid shit is all it was to us. We had no consideration for what happened the following day as long as we were in the club that night. This was a daily operation too.

As we got older and doing dumb teenage shit lost its luster we moved into other business. Still going out to the clubs almost nightly and still living just enough for the city. For several years the city made it impossible for any nightspots to play Hip-Hop music. The clubs would open one week and be shuttered the next. The city has passed quality of life ordinances which would levy fines on establishments for complaints they received corcerning noise or trash on the sidewalk. During this time in the late 1980s-early 1990s there were several pop-up parties in loft spaces along Broadway. Milky Way, PayDay and $100,000 Bar come to mind because of their candy bar references. Wild Pitch was another party that accessed various Broadway loft spaces during its tenure.

Rap music didn’t have a dedicated home until the TRIP party opened up inside a former warehouse on Manhattan’s westside meat packing district. What was ill is that you could smell the blood on the sidewalks as you congregated in front of the club called Mars. The architects that I worked for knew every single club owner in the city because their office was where everyone passed thru to get the design assistance you needed to comply with some of the City’s arcane building and zoning code laws. Since I did the drafting for these projects I would visit the spaces long before they opened up and I would survey the spaces in order to complete the floor plans. I would mingle with the owners and managers and when the club’s opened I knew the right names to drop to get past the velvet ropes.

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Mars was one of the dopest spaces I worked on because it wasn’t simply a wide open party area, but several different floors and rooms that were all interconnected. There was a floor for every genre of music that was underground at the time. There was the Hip-Hop floor which was the primary residence of DJ Clark Kent. Clark was the dude that crafted the Run-DMC ‘Peter Piper’ scratch. I remember seeing De La Soul, A Tribe Called Quest and Brand Nubian perform in the Hip-Hop room on different occasions. Mars also had a dancehall room, a house music room, a punk rock room and from time to time there was a techno room. The TRIP party brought all of these genres together for at least a few hours. The lead promoter was named Beasly and he was a skateboarder and club kid from the Chelsea projects.

Beasly knew all the club kids by face and he distributed a laminated card to everyone that he wanted to attend the TRIP party. Your laminate got you in the building without having to pay a cover charge. The TRIP laminates also put you down with other heads you might encounter walking the streets. Washington Square Park was the meet up location back then. I would have gone uptown during my lunch break to copp some weed or some tabs from Lexington Ave and then I would link with Soundwave or Polotron who would have a 40oz.(or two) of that Old Gold and the plan was in effect. We would be goofy on goofballs all night. Mars had this incredible sound system in every space where you felt like you were inside of the speaker and the beat was supplanting your heartbeat. The only respite from the sound would be up on the roof which is where I would go to burn my trees.

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What made Mars so fux’n dope was how it intermingled the fans of all types of underground music. There were Hip-Hop heads who were finally exposed to house music and rock fans were getting their first taste of rap or reggae. Mostly it was this freeform environment where you could enjoy your favorite grooves while you were really high and no one said shit to you sideways. I credit Beasly for that vibe more than anyone else. If you were blessed with a laminate then you were going to have a good trip.

R.I.P. BEASLY

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