Archive for the ‘Billy Sunday @ XXL’ Category

Atlanta Stand Up!

Wednesday, December 19th, 2007

road trip

I’ve been sporadic and erratic with my work here at the site this week. I’m a little behind on some of the projects I have planned to end the year off which means that I will have to pull several all-nighters next week in order to finish this quarter off like the Black JOE MONTANA[ll] that I am.

In the meantime and in between time I will be in the ‘A’ for the next several days chilling at Ma Dukes new rest. I want to politic with some of y’all from the ‘A’ on some face to face ish so definitely hit me up at the G-Mail or the website or whatever.

I’m talking about El Gringo, Twerkolator, The Underwriter, TANYA from Georgia State, SHAKWEEFAH from Club Nikki’s. All of y’all. While I’m on the road I have a few special treats for y’all in the format of drops from the Guest Room so stay tuned and stay warm.

Classic Lyrical Cage Match…

Sunday, December 9th, 2007

furious 5iveMake sure you put on your best clothing when you go to Sunday School at XXL Mag Dot Com

Me and my lady’s dad go at it from time to time because he is a classic jazz aficionado and I of course, am not. One thing we both agree on however is that John Coltrane was a gift from God. Coltrane was a consummate artist whose work ethic was nothing short of ridiculous. ‘Trane was enveloped by his art and cared nothing for the fame and trappings that came with popularity. Dude was also just a beast on the saxophone. If you haven’t ever fucked with any John Coltrane music do yourself a favor and open up some of that shit. You won’t be disappointed, unless you are a retahd.

Our argument, rather discussion this weekend centered around the excellent poetry contained in Hip-Hop lyrics. My talking points dealt with rap music’s employment of poetic conceits to describe things like wealth, women, drugs, etc. His argument was that rap does little more than to describe things in order to sell shit. He declared that rap music lacked the ability to describe society the way that poetry does because the use of music negates and meaning to the lyrics. He argued that the purpose of music was to make you dance and not make you listen so therefore any statements that were important were being issued to deaf ears. I corrected him by saying that deaf was actually spelled ‘Def’. He had no idea what the eff I was talking about.

Now while I would generally agree with his overall assessment of rap music in that it is used to sell things to people, from actual products like Courvosier, to more esoteric items like lifestyle choices, when Hip-Hop has attacked social injustice it has done so with aplomb and success. Furthermore, classic poetry itself has been lent to musical accompaniment and that has not diluted its message or intent. I decided I would take a minute to extract some classic poetry that was shaped for musical presentation and compare it with some rap lyrics that I consider a great socially relevant poem. I pulled up some of James Langston Hughes collected works since my lady’s dad made a book with him fifty years ago called ‘The Sweet Flypaper of Life’. The piece I used as an example of the musical nature of poetry is called ‘Po Boys’ Blues’

When I was home de
Sunshine seemed like gold.
When I was home de
Sunshine seemed like gold.
Since I come up North de
Whole damn world’s turned cold.

I was a good boy,
Never done no wrong.
Yes, I was a good boy,
Never done no wrong,
But this world is weary
An’ de road is hard an’ long.

I fell in love with
A gal I thought was kind.
Fell in love with
A gal I thought was kind.
She made me lose ma money
An’ almost lose ma mind.

Weary, weary,
Weary early in de morn.
Weary, weary,
Early, early in de morn.
I’s so weary
I wish I’d never been born.

This is a blues song if I have ever heard one. As a matter of fact I can hear Muddy Waters already on the hook singing this joint. Blues songs love to repeat their refrains to drive home the central idea that the story they are relating is really fucked the fuck up. I chose a blues song for my Hip-Hop entry as well. Blues songs lyrics are clearly where popular American music gets its DNA from. From the chanted call and response to the repeated rhyming patterns which are all Blues innovations.

Especially considering the themes of love, loss, reconciliation and redemption when they are contained in one song owe their roots to the history of storytelling from Africa. The Hip-Hop song I used as my example was the final stanza from Melle Mel’s universal ghetto classic – ‘The Message’.

A child is born with no state of mind,
blind to the ways of mankind.
God is smiling on you but he’s frowning too,
because only God knows what you’ll go through.
You’ll grow in the ghetto, live as second rate,
and your eyes will sing a song of deep hate.
The places you play and where you stay,
looks like one great big alley way.

You’ll admire all the number book takers,
thugs, pimps, and pushers and the big money makers.
Driving big cars, spending twenties and tens,
and you wanna grow up to be just like them.
Smugglers, scramblers, burglars, gamblers,
pickpockets, peddlers, even panhandlers.
You say, “I’m cool, hell I’m no fool!”,
but then you wind up dropping out of high school.
So now you’re unemployed, all null and void,
still you’re walking around like you’re Pretty Boy Floyd.
Turned stickup-kid, and look what you’ve done did?
Got sent up for a eight year bid.

Now your manhood is took and you’re a May-Tag.
You spend the next two years as an undercover fag
Being used and abused, and served like hell.
Until one day you were found hung dead in your cell.
It was plain to see that your life was lost.
You were cold while your body swung back and forth.
So now your eyes just sing the sad, sad song,
of how you lived so fast, and died so young.

You can’t tell me that shit isn’t everlasting fire. Ha! I beat the old man this time. This joint is on some profound ‘Strange Fruit’ type shit. At its height, Hip-Hop tells a truth that gives knowledge and empowerment to those that heed its message.

Who’s Got The Props?!?

Saturday, December 8th, 2007

sean p

Over at the plantation, BILLY X. SUNDAY explains how Duck Down Records made the biggest news in Hip-Hop for 2007.

Hip-Hop on your radio is dead. I’m sure there is some rap music that you may hear from the radio, but as far as hearing real Hip-Hop you would be better off killing your radio and smashing your television with a sledgehammer. At least here in New York City where the home of Hip-Hop is restricted by commercial outlets all owned by the same corporation you have to go back into the underground to listen to some rappers who still spit their stories about living life in the margins. They fill their rhymebooks up to the margins as well, but we all talked about the value of writing rhymes the other day so I won’t go back into that today.

They say that in business the fourth quarter of the calendar year is when the winners emerge. It’s true for sports as well because you se how the Patriots handle their business on the field during the fourth quarter. We all remember Michael Jordan and his fourth quarter exploits. Even the American Gangster and self-proclaimed MJ of the rap game has been a major player for the fourth quarter of 2007. Whether Jay-Z does or does not write down his rhymes, and whether he has or has never sold drugs are all subjects open for debate and further discrimination. What is not in question is that he will be a wealthy man when this calendar year ends. And with all of his acclaim and success Jay-Z was NOT the biggest winner in Hip-Hop this year.

Duck Down Records has been slowly making a resurgence to prominence in the last few years. Several years ago I was sitting in a dirty, dank, smoke filled Brooklyn basement with members of the BootCamp Clik and underground smut video purveyors BOOZ Entertainment as they shot reels for a Boot Camp Clik x Ghetto Girls Gone Wild video. I thought to myself that the BCC was always the most progressive underground movement. They are the original dirty backpackers movement all the while keeping a gat stashed in the goosedown jacket. While collectives like the Wu-Tang were able to spring up and receive commercial success and fellow Brooklyn backpackers and Rawkus alumni Blackstar were also embraced by he mainstream, Duck Down had remained below the radar.

I say below the radar in the general acceptance sense. Hardcore rap fans have never stopped fucking with Buckshot, Tek, Steele, Rock or Ruck. As a matter of fact, Ruck a/k/a Sean Price might be on more mixtapes than any other rapper in the game now. And that was achieved without kissing another man on the lips or taking off his clothing for the cover of a nationally distributed magazine. If you ever want to get into the music business I would advise you to study the work ethic and habits of Dru Ha and Buck. The fact that they have over fifteen years together as a team in the music business makes them a perfect guideline for weathering the fickle nature of fanhood in this arena. Being able to stay focused through the highs, and especially the lows in the music business will speak volumes about your personal character. I see other collectives in rap that can barely handle their success – G Unit. While others have a hard time staying united when the funds begin to diminish – DipSet. Through the storm Duck Down Records remains and they are poised to have their best year ever.

Forget the fact that these dudes have been touring this year like runaway slaves. The real moves that Duck Down has made has been in re-establishing their commercial profile. Credit Sean Price with doing the majority of the heavy lifting. Between the critical praise of his ‘Monkey Bars’ album and the follow up ‘Jesus Price Supastar’, Sean Price has captured the title of the ultimate underground emcee. Duck Down has used that to springboard themselves into deals with ESPN and the History Channel. These are smart business moves because of the distribution and viewership both networks have. How many millions of people watch SportsCenter? Shit, I watch the 1:00am and the 2:00am broadcasts when I am writing these drops. FYI, fuck the Ohio State. LSU all day bitches.

The real coup that Duck Down Records scored was with the internets video channel YouTube. If you have ever watched a clear video on that site the chances are the runtime was under a minute. You normally have to compress a video to the degree that quality is greatly sacrificed. YouTube will be hosting large format video files for the record label which means that we will see better quality and better production values from their video content. Let’s face the music, literally and figuratively, video content is how people want to receive their information. Typewritten blogs are as dead as ‘snap rap’ in this post-literate civilization. Duck Down Records has once again taken the lead in setting the trends that the major labels and distributors will follow. I know they got the music biz open kid. Don’t front.

Hip-Hop Was In The Building!

Friday, December 7th, 2007

rockruck

Heltah Skeltah @ Scritch and Scratch

Shouts to everybody that came through and supported the Stand Up! rap showcase. The iNternets Celebrities were in full effect. Mighty Healthy’s street rep 40 Diesel held us down. Jay Smooth from Ill Doctrine posted up in that piece. Jimmy Valentime had his mixtapes in his backpack as usual. Shit was Hip-Hop.

Hired Gun opened the show and set the night off right with his energy. Dude spits his carefully crafted verses with emphasis and emotion. He gave us a freestyle off the dome and the rest of his catalog. My only crit for Hired Gun would be to trim this set down to four songs. His rhymes are dense and require so much attention that after five songs you feel like you have read Dostoevsky. Props to dude for using the word ‘proletariat’ in his rhymes.

Donny Goines got on next and that’s when the show really got Hip-Hop because that was when the technical difficulties started to show up. To his credit Donny Goines worked through the glitches and still spit his fire. You can hear the Harlem sound in his rhyme flow. Imagine if Jim Jones had lyrics that were worth listening to? That would be Donny Goines. I liked the length and the strength of his set. You could tell Donny Goines practices his flows too. I think he has a good shot at getting on with one of the Harlem-based rap cliques when they decide to make real Hip-Hop rhymes part of their repertoire.

Up next was the young gunner from the B.X. – Cause. This dude is the most polished and has the greatest potential from the showcase artists that performed. He has a calculated delivery and he can go from the meditative style of a Rakim to the hyperfast spit of a Twista. We joke on Cause because he is only 21yrs old and he has two managers, a hype man a back up singer and a camera crew. Cause took the HBO show to heart and got his own ‘Entourage’. You are going to hear more good things about this emcee sooner than later.

We had a special guest performance from Hakim from Channel Live. Hak definitely has lyrics and his flow allows them to penetrate your brain at the perfect angle. Unfortunately, Hakim brought his entire catalog and his weedcarriers along as well. What should have been a tight ten minute set was extended to over twenty minutes. It wasn’t just Hakim but every artist that performed who indulged themselves in a few extra bars. I can’t blame them either because that is what they were there for. To spit their shit. It was our job as presenters to vett the artists and outline what we needed from them. If there is a next time I think we will do a better job of maintaining a flow of energy from the artists to the audience.

N.Y. Oil was next to the stage and all of his years in the music business has honed him into a fantastic performer and artist. His crowd interaction was perfect and appeared effortless. This is how artists remain in this business for over ten years. They truly love what they do. N.Y. Oil spit his politically charged, social justice seeking rhymes with hubris, humility and humor. If you wanted to see how good Hip-Hop could be with a real emcee then N.Y. Oil was worth the price of your admission.

Finally we got the treat we had been keeping in the stash. Big Ruck a/k/a SEAN PRICE was in the building and he had a set to give us. How many rappers have gotten better over the last fifteen years? Not too many. How many have been consistently good? Ruck killed the underground rap scene with his album ‘Monkey Barz’. He singlehandedly brought Duck Down Records back into prominence. This is that backpack rap with the gat in the goosedown. Not no murder-death-kill bullshit but the spit that says rhyming is about respect for self and the team. ‘Jesus Price Superstar’ has been the confirmation that the underground rap scene is where Hip-Hop shall live on forever.


P-Body


At The End Of The Day


Ruck Joint


Boom Bye Yeah

How about a Brand Nubian reunion for the next Stand Up! showcase?

Holler at your boy RAFI.


respecting the video link’s fresh: 33Jones

cRap Music Fantasy League Q4 Update Wk.9

Sunday, December 2nd, 2007

nas n keys

Pound for pound, Keys runs the Q4.

Yes, yes, y’all. We are entering the home stretch for the cMFL’s 2007-Q4 session. Thanks to everyone who signed up this quarter. Stay on the lookout for the registration drop for the 2008-Q1 period. If you aren’t already part of the crap music mogul mailing list get a comment up on this thread. I will notify everyone when it’s time to register their rosters.

I’ve got an added little bonus this week. Click the following link to upload a copy of the cMFL Excel spreadsheet.

2007-Q4 cRap Music Fantasy League Spreadsheet

Shouts to El Gringo Colombiano for building the document. Dude is a genius with that shit because he made it exactly as I asked him to. It gives us all the information we need to score our cRappers and the label owners that have selected those cRappers.

I have been too busy to populate some of the periphery fields on the spreadsheet. If you want to earn some DP Dot Com Free Shit you could help me fill-in those fields. Get at me if you can fuck with the spreadsheet.

Also, if you think you have an event that your artist(s) wasn’t given points for you can review the ‘S'(scoring) page and submit your event. Get up off your ass and get active if you want your label to win these new NIKE Dunks.

  • Here’s a look at the Top 10 cRap Music Moguls…
  • WindBreaker Records 8850
    America Done Fell Off Records 8850
    Krack Ko Kaine Entertainment 8675
    Incilin Productions 8350
    All Starz Entertainment 8150
    Gain Green Records 7875
    WDISL Records 7300
    CRap-A-lot Records 7225
    Funk Town Records 7225
    Bang 2 Dis Entertainment 7150

  • Here’s a look at the Top 10 cRappers (bluechip all-stars)…
  • TI 1625
    Kanye West 1450
    Jay-Z 1350
    Common 1300
    Alicia Keys 1150
    50 Cent 950
    Lil Wayne 525
    T-Pain 500
    Ghostface Killah 450
    Jill Scott 300
    DMX 300