Archive for September, 2007

CHOCOLATE SNOWFLAKE’s LABOR OF LOVE…

Monday, September 3rd, 2007

Every Labor Day millions of people descend on my neighborhood to celebrate the Caribbean tradition of Carnival.

masquerader

Between the music, the costumes, the food and the all-around good time, it’s easy to forget that Labor Day is a moment of reflection — one day out of 365 — in which we recognize how much we owe to those that came before us, those that stand beside us and those to whom the debt of our labors is passed on.

Of course there are official Labor Day parades in most cities and towns which celebrate the achievements and contributions of working people. But there are others — mothers, fathers, relatives, friends and neighbors — who bear the weight of carrying forward the social and cultural values that invisibly shape so much of our daily lives.

Creating and raising a family — no matter how you define it, whether it be inherited or selected — is work. There is no parents’ union to collect dues and make sure the love, care, attention, hope, faith and hard work that is put into the next generation pays off. There is also no question that someone, somewhere, cared enough about you and your future to invest in your wellbeing. If there were no such person, you would not be reading this blog right now, nor would I be writing it.

So I encourage everyone to make the time — today, or tomorrow, but don’t wait too long — to let the people who nurture, support, feed, and care for you know that you appreciate their presence in your life and value their labor.

It’s amazing how often we forget to say thank you, and how much it means when we do.

mum and pee

A LETTER FROM THE MANAGEMENT

Monday, September 3rd, 2007

steel reserve

Jou’vert is Hard Body!

For DP Dot Com’s new year on the air I thought we’d go in hard talking about GOD, girls and the planet of Brooklyn. Two years ago GOD visited America disguised as an angry Black bitch of a storm named Katrina. She kicked ass too because the Middle Passage was fucked the fuck up like that. Katrina was letting fools know that motherfuckers owe biggtime for all the people that didn’t survive the three months at sea sleeping in their vomit, piss, shit and tears. Katrina made America look every which way like a two bit third world country. At least in Haiti the people are hardbody enough to change presidents.

Sa pase ozetazini?

A shout goes out to my Haitian massive readers this Labor Day, as well as all the displaced, Hebrews, Africans and Blacks in general. Whether your displacement was in 1605 or 2005, at the end of the day it was always all about the benjamins.

Guess who hasn’t slept since Saturday nite?

And then I only napped for a few hours.

Labor Day weekend is when I go hard for the crown and this year is no different. C.S. and I saw two movies at the multi-plex (I fucks with this shit called ‘Sunshine’, not so much for ‘Balls of Fury’). Then we drove to Woodstock to chill at the weekend crib of C.S.’s big homey, Mrs.JEAN-MARIE. Came back to the city and went to Manahatta and then the Prince versus MICHAEL JACKSON throw down. Stopped by PathMark to pick up some lamb chops. I dropped C.S. off at the crib and then I went to RippleBar to get my Jou’vert started off right (shouts to the RippleBar regulars).

Jou’vert is one of my all time favorite New York City traditions. This is the real West Indian Day parade. That shit that happens during the daytime is actually just the residual after-party. For the several hours during Jou’vert the entire Brooklyn goes 7:30. People are naked and rubbing one another in a massive orgy of painted on, sweat drenched drunken bodies. If someone told me that during these times is when the conception rate and murder rate both jumped in Brooklyn I wouldn’t doubt it. With all the spirits being summoned to the corners of Empire Boulevard and Flatbush Avenue I know something freaky is going down. That’s why I go there.

DP Dot Com isn’t a real photoblog, because I ain’t a real photographer so forgive me if I don’t take the best pictures. Keep in mind that I am drunk and ready to fall on my ass from jumping and skipping all night. These are the times when a bump of that yayze could keep me rocking out until Wednesday. That sugarcane shit ain’t for me no more, but I will always fucks with Caribbean Day…

dp

DP = Fried green tomatoes. Guyana jump up!

I heart Brooklyn

I heart Brooklyn

trini broads

trini broads

Trinidad and Tobago: The Caribbean’s most freakiest islands.

trini

Trini masquerader with mom and bay’bro

steel reserve

Carnival Thugs

steel reserve
steel reserve
steel reserve
steel reserve

PumPum Dancers

2007 BLACK AUGUST CONCERT RECAP

Saturday, September 1st, 2007

dp'z

Peep your cousin BILLY SUNDAY over at XXL Mag Dot Com…


Black People Really Heart Progressive Hip-Hop…
Who knew?

Yesterday I skipped out on the ignoramus show also known as the XXL mag Dot Com comments thread to attend a concert organized by a progressive group called the Malcolm X Grassroots Movement. These are the types of negroes that are all about trying to fight for equality and justice in neighborhoods where the impoverished residents are constantly being harassed and threatened by the police. These are the traditionally under-served areas where the schools are failing and falling apart. There aren’t any healthy nutritional options for the residents of these areas and these are the neighborhoods where the law UNforcement is actually state sponsored terrorism. Basically, poor Black and Latino communities.

dpz

MXGM has been organizing a music event every August for the last ten years. The Black August concert helps raise funds for the MXGM to run some of their operations which include the CopWatch program that uses video to document and expose police brutality, and the seminars they host which teach people their rights and procedures to follow when being terrorized by police. The MXGM’s goal is essentially empowerment through education and community development. That shit might sound lofty and pie in the sky to some of you people but after over ten years of active resistance to Supremacy I see that MXGM is dedicated to their cause. And that’s more than I can say for myself.

com sense

I stopped believing that impoverished communities could be saved years ago. I’m more concerned now that working class and middle class communities are adopting the values of the poor. It’s impossible to transfer the value of education to a person that is part of the classic poverty set. That’s like feeding milk to someone who is lactose intolerant. Their internal system can’t digest it. The same way poor people can’t appreciate the value of education or hard work that doesn’t provide instant gratification. The Malcolm X Grassroots Movement has been defending a segment of the population that doesn’t even give a fuck about them. That’s some pretty heavy shit on my mind. I don’t know why some of the folks at the MXGM even carry on with their movement. It would be so much easier to just help lightskinned Blacks further assimilate like the NAACP does than to help the poor Black people find empowerment for their lives. Especially when those niggers will throw rocks at you at the end of the day anyhoo. But still the MXGM perserveres.

com sense

Yesterday’s concert was a tribute to all the political prisoners that the MXGM supports as well as a recognition of the 60th birthday of Assata Shakur. Blackstar was scheduled to perform and dead prez, who has been in the front of this movement from the gate was also going to bless the stage. In the back of my mind I thought that Common or KanYe might show up too since Chicago as a city has a long history in supporting grassroots movements. Whether it be for worker’s rights or anti-police brutality platforms. DJ Evil Dee and DJ D-Nice were listed as the music providers. This meant that I’d get to hear some Black Moon, KRS-1 and a whole lot of other rap music that hasn’t been on the radio in a decade, certainly no DipSet, Jeezy or Fifty Cent from the speakers on this night. I’m not complaining either, I’m just saying.

m1

A couple of acts opened the show up that were diverse and definitely setting the mood for a classic backpacker vibe. I don’t know if you cats have ever heard of this group from Chicago called Rebel Diaz, but they got on stage first. They have a Puerto Rican chick in their group who has that rapid fire rap style that so many Puerto Ricans can employ. How do they do that? The next group was a Hip-Hop harmonizing quintet called something God Iz. I kind of forget their name because I went to the bathroom and the bar and the vending area. I could still hear them performing and they had someone doing a beatbox as their background music. Just the usual Biz Markie type sound and nothing along the lines of a Dougie Fresh or a Rahzel. I was starting to feel like maybe I shouldn’t have begged Eskay to give me this assignment. The concert was starting to have the feel of one of those talent showcases that you might see in a church basement, except we were in the Nokia Theatre in Times Square, NYC.

mos

DJ D-Nice came on to do a set and he was having some technical difficulties with his equipment [||], he became so frustrated he cut his set short. Right behind D-Nice some of the RBG family got on the mic. Dudes name was Umi and I don’t know if he is part of the A-Alikes or not, maybe one of you white cats knows the deal on homey. White cats be knowing shit you don’t expect them to know. White cats were in the building too, but that’s always expected when I go to see good music somewhere. If you have a sick flow and a hard ass beat a white will get their bounce on to a song no matter what. Even if that shit is called ‘Kill ‘Dat Cracker!’. White didn’t overwhelm the audience this time like they did at the Rock The Bells show. I was pleasantly surprised to see how many Black people actually showed up for this event. My only explanation for this must be that MXGM was giving away too many comp tickets.

kweli

dead prez came onstage and that began the feature part of the evening. I have to give a shout to the show’s organizers for how they ordered the edutainment. Right after dead prez’ set they brought onto the stage several activists that defined the Malcolm X Grassroots Movement and the purpose of the struggle at hand. Please take a few minutes to read their ‘About Us’ website page and support the movement in any way that you think is progressive. These folks are putting in the infantry work that ultimately doesn’t get recorded or respected, but without their efforts I wonder where we all would be right now with our struggle with Supremacy.

Malcolm X Grassroots Movement

That’s when the show started up again and it didn’t stop until we were all Hip-Hop’d out. DJ Scratch did his turntablist thing. Mos Def came out and got the crowd rocking with his singing and emceeing. Mos Def is what being an emcee is all about. Most rappers don’t realize that being a Master of the Ceremony means that you have to keep the audience in check when tech problems arise. The Nokia Theatre sound crew had several problems with their equipment last night, but Mos kep everybody in the crowd laughing and ready to party. When a group of white up against the stage was yelling for Blackstar, Mos shut them down telling them that by yelling out it would not make Talib Kweli fall from the rafters. The show had an order and they were gonna have to wait. What we got for waiting was more than we paid for.

blackstar

We got a set from Common, whose ‘Finding Forever’ was not lost on this crowd of fans who prah’lee didn’t read the internets reviews of the rap music experts. We got a long set from Talib as well as the Blackstar hits that we knew were going to drop. I’ve seen Mos and Talib perform prah’lee six billion times in my life and I never get tired of their sets because they add a new wrinkle every time. It’s like these two friends are in their parent’s basement just kicking shit passing the trees back and forth and just having fun. One of my favorite points in Talib’s set was when Jazzy Joyce put on the instrumentals for NaS’ ‘I Can’ and then Talib induced the crowd to sing the chorus with him. LOL and Purple Hulk were definitely not part of this engaged and willing audience. The show closed with Mos Def performing ‘Umi Says’ and the entire theatre singing along with him. Overall, it was a great evening for peace, love and unity through Hip-Hop, and what do you know, Black people actually outnumbered the white in the audience. I guess Black folks really do love the Hip-Hop shit.

dead mic

The concert photos are here.

The video clips are here.