Archive for the ‘C.R.E.A.M.’ Category

SNEAKER FIENDS UNITE!

Monday, July 3rd, 2006

brazil

GOOOOOOOOOOOOOOOOOOOOOOOOOOAL!

You know the ADDICT had to represent for my peoples in Bahia. The good folks at the NIKE Design Studio let me blaze my own joints that give a shout to all the kids that ‘Joga Bonito‘ in Brazil. As usual, the design program features materials that aren’t available online or at any retail locations. Please study the pearlized green leather at the heel and the toebox.

bahia

bahia

bahia

bahia

bahia

The other feature that put these over the top is subtle to most, but to true sneaker fiends GOD is in the details. A gum cupsole is a sick throwback to old school sneaker design. Sorry players, but you can’t freak a separate cupsole online either. I feel your pain. There was a glitch in the matrix the day that I had these shoes fabricated so I couldn’t get the contrast stitching feature. Too bad for me. I guess I have to go back and do another jawnt.

Sou Da Paz.

brazil

brazil

CRACK was King, CRACK was the KingDevil (ReMix)

Sunday, July 2nd, 2006

jamaica ave

The summer of 1985 was pretty hectic here in NYC. Crack had taken hold of the city by then. Not the imaginary crack of DipSet or G-Unit, but the real crack up in Breevort, up in Taft, up in Baisley, and the 40 Houses. The real crack that forced grandmothers to have to raise their grandbabies. That is, if they weren’t selling crack too. Everyone and their grandma would be selling it because it was in demand that much.

Black neighborhoods were already established as the outposts where you went to get all the vices you craved, because that is how the system works. Just like you might go to a mall or an outlet complex to do your shopping, the drug trade works the same way. These drug outposts are set up and the local people are used to work the outlets. These local people are the last stop in the chain of drug distribution. They aren’t part of the production division which refines these narcotics from farmed plants through a chemicalization process. These local people aren’t part of the transportation division which has to move tremendous amounts of these narcotics over many miles, requiring boats and planes and devices that can accomodate large loads. The local people surely don’t own the factories and manufacturing centers that produce the vials and containers that these narcotics are sold in. These local people aren’t even part of the process that decides which drugs go to which neighborhoods so that the communities may be studied for the long term effects of these drugs. Nope, when it comes to dope the Black communities are just the retail division. The last stop before the consumer.

In 1985, law enforcement made little distinction between the retailer and the consumer when it came to the prosecution of drug possession. The media trumpeted the center city violence that was a by-product of all the money that was up for grabs. This in turn forced the police to come down hard on the local dealers in their efforts to hold press conferences showing Black people criminals were being handcuffed. This is where T.C. and I come in the picture…

T.C. and I were not from the side of the neighborhood that the drug trade was conducted on. Trees lined the streets of our block and most of the houses had detached garages and manicured lawns. LOUIS ARMSTRONG’s house was around the corner as well as radio personality FRANKIE CROCKER and former baseball player TOMMIE AGEE. But even with that relative prestige there was still a call to us from the other side of the neighborhood where the working class people lived. Its almost as if they lived a realer ‘Black’ experience than we did. Nevermind the fact that our parents had struggled to graduate college and squirrel away their pennies to buy their homes. For T.C. and I as well as many middle class Black kids it wasn’t enough for us to have the melanin to confirm our ‘Blackness’. We needed something more.

T.C. and I were friends with a 5% dude named BAR-KIM (R.I.P.) whose government name was BARRY. He was from the other side of the ‘hood. Back in our graffiti days BARRY used the tag name BAR ONE. He always wanted to get up in our black books because he would see the names of writers from places he had never been to. By tagging up in someone’s black book you got to travel to other places. It was a chance to become immortal. T.C. and I now wanted what BARRY had which was the right to stand on the corner. The right to claim a 5ft. square flag of concrete pavement as your own place. When people would pass by BARRY they would acknowledge him and defer to him as though he was the overlord of that corner. BARRY was willing to share his corner with us, but we were going to have to help him with the administrative duties. STAT and LIL’ MIKE were in charge of the opposite corner, but they weren’t as committed as BARRY was. I didn’t think BARRY ever slept because I would see him on that block at every conceivable moment. BARRY had our ticket to street credibility within the neighborhood and he could see that we wanted it badly. One summer weekend BARRY made us an offer. If we would hold down the corner with him, direct traffic and look out for police he would give us a piece of his profit. If we were out there for about 10 hours we could have $50 dollars. In 1985 $50 dollars was a lot of money. Shit, I could use $50 dollars now and its more than twenty years later. The really good money though was in flipping packs. The actual selling of 100 vials of crack. So this was what we wanted to do. To take the express elevator to the top of the game.

Holding down a corner is without a doubt the hardest, most nerve-wracking job that you can ever do. There isn’t a minute to relax. People are steered to you on foot, on bicycle, in cars. You explain to them what you are holding and what the prices are. They have to move quickly and if they take too long to decide you don’t serve them. This teaches them to be decisive and to understand the pace of the block. The big danger were the undercover cops. Their cars were indistinguishable from all the vehicles that passed through the block. The busiest day of the week for them was Tuesday. To this day, I know people who call it ‘Task Force Tuesday’ and they don’t even sell or buy drugs. But even they know.

The lesson that T.C. and I were taught from this experience was how difficult selling drugs is around the people that you grew up with. Crack cocaine was such a powerful drug. The dependency it caused was relentless. The users were rabid and ravenous. I had never registered any of the buyer’s faces before, and I had never been on the block during a pay day either. Everybody was working their piece of concrete. The harried scene was surreal. It was as if crackheads were materializing out of thin air. Then they would disappear from you in the same manner as if the night shadows swallowed up their bodies. BARRY was moving wild amounts of work. He needed T.C. and I to help maintain order among the desperate drug abusers.

Some were returning for the second, third, tenth time that evening. I looked at them as if they were inhuman. It was as if their souls were removed from their bodies. The users were so paranoid that it offended me to witness them. Their constant state of panic annoyed me because I thought that it might be contagious like smallpox. The jittery twitching and repeated scratching wasn’t the only telltale idiosyncracy. These people spoke inaudibly because they were saying 100 words per second. I hated them. I hated their look. I hated their smell.

As the night moved on I found out how spiritually draining it would be to stand on the corner as a profession. We were approached by a tall hooded man with the most godawful filthy jeans on and a ridiculous pair of no name sneakers. There is nothing worse than a bummy crackhead and I was ready to kick this man in the azz just for being a junkie. My attitude changed when I saw the man’s face. He was my little league coach, LESTER TAYLOR. BIG LES was like the coolest motherfucker ever. He was a neighborhood fixture because he had been a college worthy cager back in the day. I remember that BIG LES always had a crispy pair of sneakers on when he came out to the field. I made my mother buy me a pair of Puma cleats because BIG LES always wore suede ‘CLYDE’ Pumas. He was tall and strong and loud and proud. More importantly, he was a really good coach. He never yelled at me when I made errors. He didn’t make fun of me for being a fat kid either. BIG LES didn’t force me to play catcher because in little league baseball the fat kid always has to play the catcher position. How in the world does this guy go from being a teacher, a hero, to being the biggest loser on the planet?

When T.C. saw LES he was as sad as I was. LES head dropped below his shoulders. He realized that we recognized him and his shame became an almost unbearable weight. I watched LES go to BARRY and give him a crumpled ball of cash. BARRY cursed at him for giving him the money in that manner. LES hunched over even further. BARRY told him that he wasn’t going to give him another sale unless he brought money that hadn’t already been used to wipe someone’s ass. LES skulked away into the darkness without raising his head to look back at T.C. or me.

Seeing LES that night was actually like going to my very first funeral. That little kid that played third base in little league was killed that night. I had to grow up now and remove the cover of innocence that had shielded me up to this point. Seeing LES made me angry at him for being a drug abuser. I became angry with myself for ever giving him the respect of an older brother. I was angry with BARRY, STAT and MIKE and all the other kids that sold crack. My anger became self-destructive and I turned it onto other people. I needed an outlet to vent. New York City was a big place. It almost wasn’t big enough to contain me.

Mommy, What’s a Hipster? (ReMix)

Sunday, July 2nd, 2006

hipsters

The new Negro Intelligentsia (BYRON CRAWFORD and The Assimilated Negro) have weighed in on this topic and since I live in the heart of ‘HipsterLand’ properly known as Brooklyn New York, I thought I should contribute something to the discussion.

The Hipster phenomena isn’t exclusive to New York City although we are the Hipster capital (sort of like the place where the Hipsters convene and create their memoranda). They have spread to cities like Philadelphia, Boston, Baltimore, Atlanta, Washington D.C. and Detroit. I see them on a level with other cults groups like the Jehovah Witnesses and Hare Krishnas. They populate low income minority neighborhoods because the property values are so diminished they are able to buy expansive buildings. In middle income neighborhoods the same property would be double+ the cost. The Hipster typically furnishes his/her property with items discarded by the local neighborhood residents. In this manner they are perceived by the locals as being less well off than they are and this brings them into the affections of the local residents. The Hipster diet consists solely of non-menthol cigarettes and cheap domestic beer. Hipster attire is often an amalgamation of items that have been salvaged from local trashbins and the more oft than not thrift store purchase. Hipsters give each other kudos on how inexpensive and uncoordinated their outfits are. For instance, Brad will tell Becky how splendid her patined-leather galooshes look with her woolen overalls. She will compliment him likewise and he will say that he spent $.56 on his entire ensemble.

I am not knocking Hipsters for their apparent devaluation of materialism. Their heads are in the right places when it comes to securing property on the cheap. Lesbian hipsters are famous for starting neighborhood gardens in the vacant lots adjoining their properties.

lezbo hipsters

By living in these low income minority neighborhoods the Hipsters acquire what they percieve to be an intimacy with the lifestyles and values of the locals. Thereby removing themselves from the possibility of being labeled as intolerant when they adorn their automobile with a Confederate flag. The Hipsters are simply mocking the intolerance that symbol represents, while simultaneously mocking the need for people to place flags of any kind on an automobile. I fully understand and appreciate the irony that Hipsters are trying to express. To that extent I have created a line of tee shirts that also uses irony to hopefully foster some kind of understanding.

I have sold only four so far, but if you enjoy this website, and you have a keen understanding of irony, I would love for you to help me ‘KILL WHITE TEE!

KILL WHITE TEE!

NIGGAZ AND WHITE GIRLZ (ReMix)

Friday, June 30th, 2006

niggaz n white girlz

Bay Area rap music isn’t afraid to push the levels upward when it comes to artistic content. Beautiful Hustle has a dope hyphee video with KEAK Da SNEAK and E-40 on blast at her site. Click the link here and watch the video. Hopefully all the hits won’t smash her bandwidth.

Shouts to my boy GUY RILLA, the TECHWHORE. Dude straight-laced me with a concept album from KIRBY DOMINANT and CHRIS SINISTER titled ‘Niggaz and White Girlz’. Don’t let the title put you off. This shit is some of the best Hip-Hop I have listened to in a long time. When was the last time that you listened to an entire album just because it was good? If you are younger than thirty (or Black?!?) you won’t recognize a single sample on their album.

That isn’t exactly true either, but if you grew up in the eighties without any white friends then you missed out on some innovative and creative music. KIRB and CHRIS freak their entire album with new wave pop music samples. The loop from GARY NUMAN’s ‘Cars’ is sick to death and when you listen to these dudes rhyme over the track you may just realize what the missing link is.

There is a vast treasure trove of untapped samples that exists in the land known as ‘white music’ which 1980’s new wave occupies along with punk rock and several other genres. Current producers are either ignorant or scared of repurposing this music, but there is a tremendous amount of soul contained in the grooves of THOMAS DOLBY, the CLASH, INXS, KRAFTWERK, GARY NUMAN, NINE INCH NAILS, the POLICE, et.al.

It was a grand plot of the devil to name people Black and white since no human can actually be either extreme tone. Humans in their ultimate folly and lazy stupidity have accepted this division because they want to believe that there will be some privilege that it engenders. Possibly a V.I.P. pass to the champagne room. Some heaven on Earth. Whatever. I am not going to pretend that the KIRB and CHRIS album will bring you closer to GOD, but it is a damn good album to keep in the car while driving.

Or while sitting in your parents’ basement, sipping on Crystal Light from your favorite cup with the crazy straw, blogging our azz off like theres no tomorrow.

kirb n chris

Art or Commercial Bullshiite? (ReMix)

Friday, June 30th, 2006

fitty

A few months ago we nailed home the concept that this Hip-Hop shit wasn’t thorough enough to be called a culture. After reading the latest Vanity Fair rag I found out that the Hip-Hop that I was brought up on wasn’t even art. Its all commercial bullshiite.

The Vanity Fair article detailed the true story of the Robinson family, the founders of SugarHill Records. The story decribed how the Robinson family was indebted up to their eyeballs to the T.I. mafia. They were desperate to find that ‘next nigger shit’. SYLVIA ROBINSON goes to the legendary Harlem World nightclub to see what kind of disco music the jigs are vibing to. She experiences a Hip-Hop party and right then she knows that she has stumbled onto her pot of gold. She can’t understand what is being said by the emcees and she could care less, all she knows is that this thing is going to be huge. She runs back to New Jersey and literally picks up three jigs off the street and brings them to her home studio. Listening to ‘Rapper’s Delight’ it wasn’t hard to tell that the music was stolen from the CHIC classic ‘Good Times’, but the hammer that was dropped on my head is this… most of the ryhmes used for the song were stolen from the rhymebook of GRANDMASTER CAZ. One of the emcees on the record was a manager for COLD CRUSH BROTHERS and asked CAZ if he could borrow his rhymebook for a meeting he had in New Jersey. CAZ thought that he might be getting put on so he gave up his book to that loser. How apropo is it that the very first incarnation of recorded Hip-Hop has jigs stealing other jigs creative talent? I won’t even complain now when JAY-Z does a cover of B.I.G.’s ‘Juicy’.

Fast forward to the present and Hip-Hop, ne, crap music is a global phenomenon in how it mobilizes and motivates the youth. Crap music determines what is of value to these kids. It constantly tells them what to buy. What has become even more insipid is that crap music tells people what to think and how to react. The pathos of ‘Get Rich or Die Trying’ is that you would do anything for money. That life has a transferrable price in dollars and cents. 50 CENTS.

CURTIS JACKSON is crap music’s greatest prophet for profit because he has maximized his popularity by being this multimedia juggernaut. You can’t turn away from the 50 CENTS character. The television plays his music videos and then incessantly airs commercials that hype the big screen biopic coming to theaters this month. The radio plays the soundtrack to his videogame. I walk into a bookstore in order to escape the madness and right in the center of the store is an entire table table filled with 50 CENTS’ book. Yes, his book! This last irony forces me to sit down in one of the oversized leather chairs and contemplate the future of the children that I see around me. 50 CENTS considered the only two options for his life were guns or microphones. He never mentioned books.

50 CENT says in one of the voiceovers segments for the movie that he got into crap music because unlike drugs he couldn’t be prosecuted for selling a lot of records. That was the motivation for this ‘bullshiite artist’. Crap music will never again be art. It’s all just commercial bullshiite.