This iNternets Celebrities are the ebony and ivory that MICHAEL JACKSON and PAUL McCARTNEY dreamed of…
In our newest video project we bring our camera to the streets of NYC to see how the retail frontlines are coping with with our effed the eff up economy. Being the most official bootleg journalists of the internets means that we even go into deep cover mode.
The i.C.’s become street vendors for a day just to experience the lifestyle on the other side of the collapsible table game. Being a street vendor is hardbody work for real. It’s not a life that most people would choose. In a way, it chooses you.
Just like a racehorse does, or an expensive prostitute.
I finally figured out what Jay-Z was up to with the concept of the Blueprint 3.
Lightsaber rap.
When I first heard the leaked song ‘Ghetto Techno’ I thought that Jay-Z was coming out with Sprockets Rap which is also futuristic just not as lightspeed traveling as lightsaber rap.
Sure Sprockets Rap is accompanied with a laser light show and we know that Jay-Z loves lasers, but he also fux with Natalie Portman who we all know is Queen Amidala who was smitten by the charismatic, talented and agressive Anakin Skywalker.
Anakin Skywalker could have been the greatest Jedi ever, but he wanted it all no matter what the cost to others. Kind of like who you become when you sell crack cocaine to the people that you live with.
Wanting rewards with no consideration of the consequences to others is surely the path to the dark side (natch).
So when the Imperial Grand Moffs, more popularly known as the t.I.’s who run Live Nation, contracted Jay-Z with that handsome $150 million bounty I think he fully embraced the idea of being the Bossk of this rap shit.
That is where the H8rZ track comes in. Can’t you hear the lasers and lightsabers in the background dueling one another? I hear that shit, but I am also from the future.
When Jay-Z spits his verse on that fast rap shit he becomes one of the best rappers in the galaxy. The force is powerful in this dude.
Too bad he turned on Jaz-O like Anakin did on Obi-Wan.
The above embedded track is titled ‘Forever’ and it is becoming the 2009 ‘Swagga Like Us’.
‘Forever’ features Drake, KanYe West, Lil’ Wayne and Eminem.
From a rapping standpoint Eminem came in the hardest. KanYe West also delivered a supreme verse, but Eminem was the king on this track. After KanYe West we have Drake and then Wayne’s verses to round out the fantastic four. Actually, Drake and Wayne’s verses weren’t all that spectacular. Drake’s lines are serviceable, Wayne is totally overshadowed by KanYe and Eminem. Wayne doesn’t even belong on this record.
The Lil’ Wang fans will immediately accuse me of hating on their favorite rapper, but the truth is that I listened to this song more than fifty times while I set up all the drops for my site today. To prove my point that Wayne’s verses are subpar I will go to the numbers that don’t ever lie. I believe the polysyllabic word count not only illustrates which artist’s have better lines but better technique and mic skills.
EMINEM
Word Count: 222
Polysyllabic: 12
There they go, packin’ stadiums as Shady spits his flow
Nuts they go, macademia, and they go so ballistic, whoa
He can make them look like bozos, he’s wonderin’ if he should spit this slow
Fuck no, don’t provoke, his cup just runneth over, oh, no
He ain’t had it with bars like this since the last time that he overdosed
They been waitin’ patiently for Pinocchio to poke his nose
Back into the game and they know rap’ll never be the same as before
Bashin’ in the brains of these hos, and establishin’ a name as he goes
The passion and the flame is ignited, you can’t put it out once we light it
This shit is exactly what the fuck that I’m talkin’ about when we riot
You dealin’ with a few true villians who stand inside of the booth true spillin’
And spit true feelings until them tooth fillings come flyin’ up out of our mouths, then rewind it
Payback, motherfucker, for the way you got at me, how’s it taste?
I’ma slap the taste out of your mouths with the bass so loud that it shakes the place
I’m Hannibal Lecter, so just in case you’re thinkin’ of saving face
You ain’t gonna have no face to save by the time I’m through with this, play some Drake
KanYE WEST
Word Count: 185
Polysyllabic: 8
I used to have hood dreams: Big fame, big chains
I stuck my dick inside this life until that bitch came
And went hard all fall like the ball teams
Just so I could make it rain all spring
Y’all seen my story, my glory
I had raped the game young, you could call it statutory
When a nigga blow up, they gon’ build statues for me
Old money, Benjamin Button, what, nothin’
Nah, superbad chicks givin’ me McLovin’
You would think I ran the world like Michelle’s husband
You would think these niggas know me when they really doesn’t
Like they was down with the old me, no, you fuckin’ wasn’t
“Uh, you such a fuckin’ loser
You ain’t even go to class, Bueller”
Trade the Grammy plaques just to have my granny back
‘Member she had that bad hip like a fanny pack?
Chasing the stardom’ll turn you to a maniac
All the way in Hollywood and I can’t even act
They pull they cameras out, and God damn, they snap
I used to want this thing forever, you can have it back
DRAKE
Word Count: 144
Polysyllabic: 3
Last name Ever, first name Greatest
Like a sprained ankle, boy, I ain’t nothin’ to play with
Started off local, but thanks to all the haters
I know G4 pilots on a first-name basis
In your city faded off the brown, Nino
She insists she got more class, we know
Swimming in the money, come and find me, Nemo
If I was at the club you know I balled, chemo
Dropped a mixtape, that shit sounded like an album
Who’da thought a country-wide tour be the outcome
Labels want my name beside an X like Malcolm
Everybody got a deal, I did it without one
Yeah, nigga, I’m about my business
Killin’ all these rappers, you would swear I had a hitlist
Everyone who doubted me is askin’ for forgiveness
If you ain’t been a part of it, at least you got to witness
Bitches
LIL’ WAYNE
Word Count: 160
Polysyllabic: 3
Okay, hello, it’s the Martian, Space Jam Jordans
I want this shit forever, wake up and smell the garden
Fresher than the harvest, step up to the target
If I had one guess, then I guess I’m just New Orleans
And I will never stop, like I’m runnin’ from the cops
Hopped up in my car and told my chauffer “To the top”
Life is such a fuckin’ roller coaster, then it drops
But what should I scream for? This is my theme park
My mind shine even when my thoughts seem dark
Pistol on my side, you don’t want to hear that thing talk
Let the king talk, check the price and pay attention
Lil Wayne, that’s what they got to say or mention
I’m like Nevada in the middle of the summer
I’m resting in the lead, I need a pillow and a cover
Shhh, my foot’s sleepin’ on the gas
No brake pads, no such thing as last
You can even see through the text formatting that Eminem is going in with his bars. He spits a polysyllabic word per every 18.5 words in his verse, while Drake has a polysyllabic word for every 47 words he issues and Wang comes through with an abysmal tally of 53.3 words for every one that he utters with more than three syllables. KanYe West was right on Eminem’s heels with a count of 23.125 within his bars and that figure slightly more than doubles Drake’s output.
There are two things that I would like to clarify here. Rap music is firstly and foremost about the skill and dexterity the orator has with language. Some of us might use the term wordplay but it extends far deeper[ll] than simply playing with words. Does the orator have a mastery of words? Or is the speaker restricted by his or her own limited vocabulary? Complex compound words are the zenith of the English language. If you think grunts and chirps are so evocative why aren’t you in an aviary(see what I just did) listening to birds tweet since you are obviously a birdbrain?
Finally, if you take away anything from this drop it should be the knowledge that some rappers make simple rhymes for simple minds.
If I can bring only one song with me on the spaceship to tell the advanced extra-terrestrials what rap music can be when it is fully powered I will give them ‘Triumph’.
All this talk about what is, and what is not racism has whet my appetite for some good ol’ fashioned supremacy programming (read: cartoons). Animation is the OG form of socialization through stereotypical propaganda. Leave it to Cartoon Network to be the vanguard for the counterprogramming, or at least the equal opportunity of race offenders.
Have you tuned in to Adult Swim’s SquidBillies yet? It might be the funniest show on television second only to Curb Your Enthusiasm. SquidBillies makes me laugh out my face. The main characters are bigoted squids. They call white people “chalkies”. SquidBillies could only be made by someone very drunk, or very high, or very both.
Then there is the Minoriteam. This shit is reeeeeederkulous. It only lasted one season because it was too smart and too pointed. One of the superpowers of the Black character was to be able to charm the pants off of white women. Yes, the shit is filled with the stereotypes that minority people have railed against and in this show it is those stereotypes that have become the superpowers of the lead characters.
Racism only poisons those that recognize it and try to use it to their advantage but we all knew that already. Unfortunately, racists don’t watch enoough cartoons so that can’t know that we are laughing at them. One day in the future the aliens or the robots or a combination of the two wrest control of this planet from the racists I hope they have a sense of humor and put Minoriteam back on the air. Word to Balactus.