Archive for the ‘Billy Sunday @ XXL’ Category

Gone ‘Til November…

Wednesday, May 27th, 2009

tip

While most Americans were celebrating the commencement of another generation of college graduates or maybe they were humbly mourning the loss of loved ones who were in the armed services, there was a section of the population centered in Atlanta reliving the good ‘ol bad days of Freaknic in honor of the ‘going away’ of the king of the south.

For many Blacks, going away to the penitentiary is the equivalent of staying in the dorms of the university. So much that I suggested a few years ago that Blacks should swap the usage of the words to increase their self esteem. Instead of young KeyVaun going to jail his mom should say that he is “on campus at the state college”. We all know that nigga is in jail, but shit just sounds better.

Atlanta partied so hard for T.I. this weekend you might think he was given a farewell speech at the Ebenezer Baptist Church. He might as well have since he is now some kind of martyr. I bet if you asked a ten year old which King he liked more, Martin Luther or T.I. you already know the answer. I don’t blame T.I. for this. I blame myself and all the people that could have said they want more from the people they uphold as heroes.

I think about all the shit that Martin Luther King Jr. got himself into where he should have definitely had a gun under his jacket just to feel 100. MLK Jr. was hardbody supreme. Nobody has the platform that he had and speaks the truth to power the way that he did. Malcolm X was always a pariah, so even when he experienced white muslims and had to renounce Elijah Muhammad, there were no white Americans who would touch his ass with a ten foot stick. MLK Jr. was the dude that white let come into their house.

Until MLK Jr. started to rail against the military industrial complex he was safe. The government used MLK Jr. to keep the negroes in check after they merc’ked Malcolm X. MLK Jr. kept the negroes peaceful and passive after JFK and RFK’s murders. Right after that heroin started to find its way into the ghetto in a major way. I wonder if the Vietnam War was a power play for the control of opium trading? Anyhoo, my point is that after heroin filled up the center city streets J. Edgar Hoover’s bosses no longer had a need for MLK Jr. to keep the disenfranchised masses in check.

I’m not putting this drop on the X spot to disparage T.I. That ‘Superstar’ (remix) was one of my 2007 faves. For all I know T.I. might be the coolest, funniest dude of all time. But when you call yourself the modern day Malcom X Martin Luther just because it rhymes, and not because you give that 101% of yourself, you actually destroy the memory of those heroes to people that haven’t had a chance to experience them OGs.

The same way every two-bit despot is called the modern day Hitler by a politician. Hitler was bad as fuck and killed a grip of people. Don’t negate his destruction by comparing him to another less qualified sociopath. And don’t negate Malcolm X and MLK Jr’s hardbody status by comparing yourself to dudes you will never be like. I feel for this guy T.I. and the whole (tech) nine but its not like he came into this rap shit lyrically similar to Paris or Chuck D.

T.I. came up telling us that you could convert your drug money into entertainment success. He has no ‘Letter from a Birmingham Jail‘ in his catalog. He hasn’t created anything as thought provoking as the ‘Ballot or the Bullet‘. He’s a cRapper. Let’s not lose our perspective party people.

music provided by Nah’Right

Six Degrees Of Sylvia Rhone…

Tuesday, May 26th, 2009

s_rhone

BILLY X. SUNDAY DALLAS PENN asks “Where are the ladies at?!?”

I haven’t done too much writing this past weekend not because it was a holiday or because my check from Harris Publishing came in and I have been in an alcoholic x THC influenced stupor, but because I have been trying to process the Charles Hamilton vs. Briana Latrise debacle for its overall effect on Hip-Hop as we know it.

Firstly, it was a shot heard ’round the internets, that finally after so many hardbody female artists like MC Lyte, Lin Que, Latifah, Rah Digga, Lady of Rage and all those lesbian chicks on the Miss Rap Supreme show we now see a female emcee who is willing to strike pre-emptively. This was no Real Roxanne episode where a chick was passed around the entire crew from Full Force to U.T.F.O. (and possibly Force MD’s – uggh) before she had the nerve to speak her mind.

Briana Latrise is the resultant of years of rap music being specifically anti-woman. Nevermind the fact that there have been women who still managed to work in this environment. Plenty of women go to work in offices and other places where the instances of sexual and racial harassment are abundant. Rap music was in the forefront of artistic misogyny. You can’t deny this either. N.W.A. and Too $hort happen to just pop up in my brain, but if you do the math I’m sure you will discover that the word bitch was used most frequently from 1990 onward.

Here’s the freaky coincidence…

The explosion of misogynistic music and conversely music videos which promoted the music’s lifestyle directly parallels the ascendancy and prominence of African American female executives in the entertainment industry. You might almost surmise that Black women in executive positions love to see images of prostrated Black women as much, if not more than anyone else. Why else would all the degrading images and content be underwritten, created and promoted by these executives. It’s almost as if they were trying to develop a permanent underclass mentality for females of color.

The tsunami doesn’t trap all the women of color underwater, but the ones that escape certainly don’t ring the alarm for the ones coming up either. Briana Latrise’s reactionary punch to Charles Hamilton’s jaw was about their personal relationship as much as it was about her frustrations at being marginalized as an artist. Briana won’t be on the cover of Vibe anytime soon even if she poses butter ass nekkid like Ciara and Keisha Cole have done. Briana’s options haven’t been obfuscated by the ‘Man’. Briana has been pigeonholed by the woMan.

The more women are inducted into positions of influence and power the less we are seeing them find their voices as artists. That wouldn’t be such a bad thing though if the art in general reflected more respect for women overall, but the opposite is the case. More women execs has equaled less women artists plus more misogynists. What part of the game is this? Combine that with the knowledge that prison culture is also promoted as the ideal for manhood and I would have to start raising an eyebrow at women of color holding executive positions in the entertainment industry.

I should prA’li watch my step around here since I don’t want my XXL checks getting to my mailbox several months late again but I’m just wondering why no one else is concerned about the silence that has come from the Rihanna supporters? Here’s why you haven’t heard a peep. The real life pecking order inside of the urban entertainment industry looks something like this. White man > white women > Black women > Asians (primarily Filipino) > the Mexican diaspora (P.R., Cuban, D.R., Colombia) > ghey Black men > office furniture (Herman Miller chairs) > Black men.

So as long as Black men are talking shit about Black women and catching a bad one to the jaw bone everyone in Hip-Hop is satisfied.

cRap Music Superheroes FTW…

Saturday, May 23rd, 2009

x rappers

The SlaughterHouse collective busts a lot of people in the head when they formed Voltron.

Sometimes the most obvious shit be the shit that we never see because its right in front of our faces.

Hip-Hop has always excelled in the arena of posse tracks, but those projects were always one-offs or remixes. It wasn’t until the Wu-tang formed that we had the opportunity to experience Hip-Hop like it was during the era of the Cold Crush Brothers, the Funk Four Plus+ 1 More, and the Furious 5. These groups showed us the heights of rap using techniques like harmonizing, slick wordplay, audience interaction and basic unity. That was before rap music was making any good money for the tall Israelis.

The second the t.I.’s started making big paper from rap they looked for individual stars to place on posters an the supergroups were all fractured from outside and from within. The money that came into rap had folks scrambling just to get a check. You have to be careful what some folks will do to get a check. They are liable to steal your rhymebook the first chance they get. Instead of unity and rocking crowds in unison the industrial music complex made rappers into war machines and set everyone off to battling. It took us a long time, and in reality, the collapse of the industrial music complex in order to have the chance to see rappers come back together again like SlaughterHouse has done.

fantastic 4

SlaughterHouse = The Fantastic 4
For the reason that they are bringing the idea back into the rap game that people from different cities and regions can posse up and be focused on the same goal. The Fantastic 4 is Marvel Comics legacy title. The FF may not be the strongest group in the comics universe but they have been able to thwart Galactus, the Skrulls and Annhilus because they work as team. This has been the SlaughterHouse’s crowning achievement to this point. If they really do release their group album this summer 2009 could be the year of Hip-Hop’s rebirth (no Lil’ Wang).

So now I asked myself what other rap supergroups could I relate to some of my favorite comic titles. All respect to Dart Adams from Poisonous Paragraphs who is the master at this shit here, but I’m partial to books drawn by John Byrne. I thought about Random Axe which is the supergroup composed of Sean Price, Guilty Simpson and Black Milk. I’m going to relate this group to the Avengers because that was the one superhero collective that had the most hardbody brothers.

avengers

The Black Panther was down with them as well as the Falcon and even War Machine spent some time in Avengers mansion. Dart, correct me if I’m wrong but did Luke Cage get some burn with the Avengers at some point? Sean P is definitely on some Power Man shit. Fam should do a photoshoot dressed up in the Power Man suit. [ll] to wearing man-dex.

It was rough on a young fanboy coming up back in the day. There weren’t really any Black superheroes that I could relate to. Black superheroes hardly ever had anything sexy about their steez. Plus they were all called ‘Black’ as if anyone would confuse Black Lightning with another dude named Lightning. WTF?!? Dudes like Green Arrow and Green Lantern used the green in their powers and their costuming. Black Lightning was just a brother from the ‘hood that made Wonder Woman go hide her purse after he walked into the Hall of Justice.

After listening to that track ‘4 Minutes 2 Lockdown‘ on the Blackout 2 album I decided to call Redman, Method Man, Raekwon and GhostFace the Alpha Flight.

alpha flight

Some of you fanboy nerdcore purists (read: Dart Adams) will tell me no effin’ way to this connection because Alpha Flight was a team formed out of Canadian superheroes, but I have to ask you all if there are four rappers from Canada as lethal as Red, Meth, Rae and Ghost? Yeah, I didn’t think so either. Kardinal Offishall, Tabi Bonney, and Saukrates don’t add up to the superpowers that are required to be Alpha Flight. Not even if I added former Mount Royaler Carl ‘Jackpot’ Chery to their ranks.

One of the offbeat comic book superhero teams was the Doom Patrol which was like the DC Comics version of the Fantastic 4. I see the cRap music version of Doom Patrol being offbeat too because they are fronted by the man in the mask called DOOM.

doom patrol

DOOM would posse up with Madlib, MC Serch and Kurious. Plus the ghost of J Dilla would be on the MPC-3000. And unlike the DC Comics title these dudes wouldn’t get canceled. Their fan base is strong enough to keep them on the road all year long.

How many cRap dudes have the letter ‘X’ in their stage name? Those are the cats that will become the X-Men. DMX, Xibit, Sadat-X, Brother J and Lin Que (from X-Clan).

x men

There is enough pro-Black shit going on in their rhymes along with the classic 7:30 tendencies of Wolverine that Dark Man X brings. I like this group a lot.

On the heels of the X-Men I give you the Next Men. The Next Men comic series was created by my favorite comic book artist John Byrne. The Next Men were genetically enhanced humans that would ultimately lead up to the final fate of humanity. The Next Men in cRap music have that burden on their shoulders as well. Will cRap music as we have come to know it be changed for the better or ruined forever?

next men

The Next Men will be artists like Drake, Kid Cudi, Wale and the girl that smacked the shit out of Charles Hamilton. She is definitely a superheroine. She did what no other rapper has been able to accomplish up to this point and that was to make the pink panther Charles Hamilton shut the fuck up.

Briana Latrise is the real superhero in this cRap shit.

The Best I Ever Heard…

Friday, May 22nd, 2009

kellz

You still can’t see this nigga!

I will admit that I don’t really fux with the boy Drake. I recognize he is talented and he has a devoted group of followers on these here internets but I’m just not into dude like that. Because of his talent and his youth I think he would be a dope addition to the Frat Rap Pack supergroup of Kid Cudi, Asher Roth and Bobby Ray. That shit is just a made up supergroup on this blog though and not something that I think will actually happen. Of all those rappers I just named Drake might be the hottest in the game right now.

Asher Roth fell off the map coincidentally with the return of Eminem and the opening of his Twitter mouf. Kid Cudi is in Hawaii right now after catching a little buzz from the ‘Sky Might Fall’ x Transformers 2 video that was being circulated on the web. Bobby Ray is… I’m not really sure what B.o.B.’s story is but I will be in Atlanta doing some reporting so maybe I will get some insight on his future projects. Drake stays on the radio though. I’m not sure how that was pulled off but it was.

Drake is the next level of internets superstar to be pushed out into the mainstream. The Asher Roth experiment proved that internets buzz isn’t valuable for realtime, real life sales figures. The internets don’t buy CD’s no matter what the people say in the comments threads. Let’s be honest, who here is buying some shit they can get for free? The people handling Drake did well to put him on the radio. At least those people will buy a bootleg CD. I knew son was doing big things when my homey who doesn’t know shit about the web asked me to pass him some of Drake’s music.

Drake’s buzz even got the attention of the master of Rap & Bullshit, acquitted hebephile crooner Kellz has hopped on the ‘Best I Ever Had’ single. I don’t care what anyone says about this dude, Kellz makes the ladies toss their panties on the stage. Chicks would love for him to pee on them. Some dudes too. This is why dudes like Kellz, T-Pain, Wayne and T.I. don’t have to go to jail like the rest of us do. They make the soundtracks for all of our dysfunctional society foolishness. Without them we might have to actually listen to meaningful music.

R.Kelly is the godfather of the rap & bullshit genre of Hip-Hop music. He definitely gave birth to T-Pain’s lane. I’ve heard Kellz do tracks using auto-tune that have merc’ked anything that T-Pain has produced in his life. Keep in mind that R. Kelly can actually sing when he wants to. Plus he is like this idiot savant entertainer that comes alive when he is in the recording booth, yet he can’t conduct a coherent discussion anywhere else. R.Kelly is a bad man with a microphone in his hand, and as long as you keep Kellz away from a high school lunchroom you won’t have to worry too much about his appetite for destruction.

Kellz is the king of Rap & Bullshit

kellz

Black Together Again…

Wednesday, May 20th, 2009

meth and red

I was sure I would enjoy listening to Red & Meth’s new album. I wish they has called it something other than ‘Blackout 2’. That title has no taste or imagination. I understand that the label execs want to convey that we will be getting the energy of the OG ‘Blackout’ album, but if we wanted the exact same album we would just listen to ‘Blackout’. Lord knows that shit is on KaZaa.

I’m happy to say that this album is another album altogether. Red & Meth are the prime example of how artists can combine and become greater than the sum of the individual parts. I loved listening to Redman’s latest disk ‘Red Gone Wild’. It was vintage Redman even if it had a few more weedcarrier features than I would have wanted. The album was still solid and Red was still retarded. Meth on the other hand isn’t the dude that I have fuxed with individually. I loved his verses on ‘8 Diagrams’ (a tragically slept-on, senselessly hated-on album) but I can’t tell you when his last album dropped.

meth and red

Method Man needs the motivation (read: weed) that Redman must be growing in his basement. There is more than enough tracks on this album that sound like Meth 1999 when he was still hitting SuperHead in the pum-pum. Back when Meth and Red were gonna be Hip-Hop’s Amos & Andy. Classic Blunt Brothers collabos.

There are a few features on this album that help the dynamics and the balance between Meth & Red. There isn’t anything forced either which surprised me since Def Jam is good for putting Ne-Yo and Chrisette Michelle on every possible song they can. The rap music industry is reverting back to the old MoTown days. Don’t be surprised when you see a rapper boy band in New Edition chopper suits. That day will soon come.

meth and red

Let’s preview some of the tracks on ‘Blackout 2’.


‘A-Yo’ (featuring Saukrates)
You’ve heard this track on the internets already. It’s smooth and fluid. The production is that new funk. This is a dope song to drive out to.


Errbody Scream (featuring Keith Murray)
My homey Tahero hit me on the text and asked me if Joe Budden wrote Method Man’s verse on this track. Meth’s flow does sound Budden-esque inspired circa ‘Pump It Up’, but if Budden had written this joint wouldn’t it be depressed about something?

meth and red

Ms.International (featuring Erick Sermon)
How are you dudes gonna act like a song for the ladies ain’t what’s really good? I know four ladies that are all getting their doctorates this month. Somebody better get woke to the idea that ladies need to be recognized and treated like ladies. Lady doctors will be keeping the lights on hardbody in the near future.


4 Minutes 2 Lockdown (featuring Raekwon and Ghostface Killah)
You wait all year to hear a song like this. Tracks like this are why rap music fanboys are so excited for the Slaughterhouse collective. Four emcees get on a beat and act like str8 surgeons in the I.R. theatre doing Harlem Globetrotter tricks with the scalpel. The horns is what makes me get ill for this joint. There are so many sick lines from each spitter. Red opens up with the heat, ask Houston how he rock it. Raekwon is the metaphysical rap mad man. Meth redeems his credibility. GhostFace blacks the fuck out. Crazy. Rewind this joint 100x.

meth and red