Archive for the ‘Billy Sunday @ XXL’ Category

BILLY SUNDAY Says… “Let Them Eat Cake.”

Wednesday, May 9th, 2007

dash

DAMON DASH would be the first person to readily admit to you that he has a problem. He is addicted to making money. DASH has even called himself a cake-a-holic as a way of introducing an urban colloquial for his desire to earn money. DASH briefly used a reality television program to bring to view the values to which he considered esteemable. Black Entertainment Television’s ‘The Ultimate Hustler’ was an achievement in low-brow stereotypical minority run business plans and it probably paved the way for television programs like ‘Flavoe of Love’ and ‘I Love New York’. The cooning and shuffling was disguised in the program’s ‘Apprentice’-like knock off format.

DAMON DASH has already become a caricature of himself at this point. He no longer shepherds the stable of artists under the Rocafella Records imprint. He has also been removed from his partnership role at Rocawear clothing. Jay-Z, the persona that DASH created based on a Harlem drug dealer named A-Zee, has become a corporate darling and he is consulted and consorted by major corporations that covet the urban money spending demographic. Don’t let the irony of this reversal of fortune be lost on you. DAMON DASH has never given any care or forethought to the images that he has helped shaped through Hip-Hop and rap music.

These images have been of characters that trafficked drugs for the sport and lust of wealth, nary shedding a tear for the destruction of communities that these drugs will have wrought. Because their world of trafficking narcotics was metaphorically based on the music they delivered they might have imagined that no one was ever damaged by their deeds. Instead, I see a generation plus of young people that can recite several rap songs to me verbatim but don’t know that they reside within Kings County. It is not enough to say “Broooooooooklyyyyyn!”

The other shoe dropped this week when one of my friends from the woeful record industry sent a facsimile to my desk of some papers that were circulating through the halls of DAMON DASH’s old workplace. It always seemed to me that the life of a hustler should include making sure that the true hustlers were paid off first.

dash
That amount seems somewhat piddling to the following amount which is admittedly more money than I will ever see in my lifetime. If DAMON DASH owes the I.R.S. over two million in back taxes then I can only imagine how much money he made overall, bearing in mind that rich people don’t submit the portion of their incomes to the taxman that us regular poor people have to.

dash

Now don’t shed a tear for DAMON DASH. He’s been through tougher spots than this one and the apartment he owns in TriBeCa would probably sell for 10x the amount of that tax warrant. The one thing above all other things that DAMON DASH has proven is that he knows how to sell shit to Black people. That alone makes him invaluable to the Tall Israelis. DASH has got to have a rabbi left on his team that can help him return to prominence.

Otherwise DASH will be like so many other folks who eschewed the lavish life and ultimately ran out of bread. In the famous last words of Marie Antionette when the Parisians had run out of bread… “Let them eat cake.” I guess that won’t be too bad after all for this admitted cake-a-holic.

dash

The Daily Soap Opera That Is Rap Music…

Tuesday, May 8th, 2007

jim jones

Jim Jones keeping it gangsta by preserving his sexy.

Remember When Rap Music Was The New WWE?

Hip Hop Profanity, Misogyny and Violence: Blame the Manufacturer

JIM JONES and and his BFF CAM’RON aren’t speaking right now.

FISTY SCENT is getting banned from Canada.

DAMON DASH misses his BFF, Jay-Z

COMBAT JACK: Number #1 With A Bullet! (Gully Re-Up)

Saturday, April 28th, 2007

apocalypse now

Editor’s note: Combat Jack’s reply that should have squashed all of the divisive language about 70’s babies versus 80’s babies must have fallen on the deaf ears of XXLonline’s secondstring staffer Sickamore. So it looks like the kid has decided to step into the arena where grown azz men come to put in work. I wish people would get their minds’ right and stop calling everything a hustle. Hard work isn’t a hustle. Growing up in the world isn’t a hustle either. A hustle is trying to make ends off other folks’ backsweat. A hustle is trying to earn a living by selling something that you know nothing about. Leave it to Combat Jack to learn the youth before the apocalypse.

“Back In ’88 When I Was Pushing Weight, You Was a Ballerina, I Got The Pictures, I seen ‘Ya”
-quote from a “70’s” baby

So the other day, I get this surprise e-mail from “THE 80’s baby” over at XXL. Dude reached out on some squash the beef shit. Peep game…

Subject: Dude, lets just end this shit!!!

Date: 8/20/2006 4:15:32 AM Eastern Daylight Time

From: “Sickamore” [sickness@tmail.com]

To: combatjack@gmail.com

Dude, this shit has got to stop. Why you tripping on me man? You and I both know that my ’80’s baby shit is just a gimmick and I’m running with that shit as long as I can. Why can’t you older cats have a sense of humor? Can I live? Even before your post on the internet last week, my boss Craig Kallman at Atlantic has been barking the fuck on me about my lack of decent signings on the label’s roster and how I’m literally “1/2 a step from getting my nigga ass ejected the fuck out of the building”. In addition, there’s a rumor circulating through my circles that my boss over at XXLmag.com, Elliot “YN” Wilson isn’t really feeling my recent posts, all double guessing whether he made the right decision to pay me monthly to write, and is even thinking about replacing me. Combat, I CANNOT AFFORD TO HAVE THIS SHIT CONTINUE OR BUBBLE UP TO THE SURFACE. PLEASE STOP ATTACKING ME. I NEVER DID ANYTHING TO YOU!!!!!!! I really thought about that Willie Lynch shit you dropped and you’re right man, we shouldn’t be beefing against each other. Yo, I know this real cool sexy ass coffee shop in downtown Brooklyn where, you know, we might be able to break bread, build, uh, maybe collab on some shit. My treat! Plus, they serve a mean Vanilla Latte with whipped cream and nuts!!!! Delicious! I’m thinking, yo, that shit would be ill if we did some Jigga and Nas, team up shit on some of my future posts right? ILLMATIC!!!!!!

On the real tho, I’m a nice guy and could really learn a lot from you about how shit went down before I got on in this music shit. You really can’t blame a young nigga like me for popping his collar on some ’80’s shit. Maybe you did the same when you were coming up. Right? Btw, what do you think of Saigon’s latest shit, hot right? I hear you about his picture on his myspace page, but yo, dude’s chest is just so oiled up and massive!!! I heard that chicks dig that, plus it’s only entertainment! Well anyway man, I’m trying to be on my grown man shit about this and am willing to let bygones be bygones. You’re really funny and when we meet (I hope), I promise I’ll put in a good word to Elliot about squeezing you in on the XXLmag.com roster. That would be hot, right? Anyway, if you’re cool with this, please hit me up at sickness@tmail.com. Also, let me know if you know any hot artists looking for a deal, I could really use that shit right about now, nahmean? I’m looking forward to you reaching out CJ, that would be hot! Right? Come on man, let’s do the damned thing. Peace,

Your lil homie (I hope),

Sickamore.

Sheesh, that shit made me feel a bit sorry for the young fella. I do know something about his track record as an employee, especially since his ex-boss Gary (a T.I.) at Beat Street Records in Brooklyn (a record store dude, not a label), used to personally complain ad nasuem to me about how dude was a really piss poor employee (dee jaying in the showroom and sweeping up the stock room). Gary even told me that in an attempt to boost dude’s morale, even though Beat Street never had an effin record company, they used to pay him like $150 a month (on some fake “a&r” shit) to put together weak Beat Street branded mix tapes consisting of several whack local Brooklyn crap niggas that all sounded like a poor man’s version of Jigga, just so the T.I. run store could maintain a good relationship with their younger black rap buying clientele.

Now, I really don’t know where Sic’s going with his e-mail to me, what with all this nonsense about linking up for some latte with nuts and “teaming up”. Nullus on all counts. Dude, er, thanks but no thanks! Plus, you really don’t have to go through the trouble of putting in a good word about me to your boss. But yeah man, I’ll increase the peace. I really hope that shit works out at Atlantic as well. Plus, I’ll do my best to turn a blind eye to your limited 80’s baby gimmick. Do you man. I know my place, it’s your turn scrap, you got the juice now. Plus, trust me son, I don’t need to prove to you that I’m Black, not caucasian. I happened to come across this picture of you trying your damned best to impersonate a 70’s baby? Uh, what’s up with that Sic? Last I heard, Cazal’s was strictly ’70s dun, plus that shit is looking real suspect, what with the lite gloss all up on your lips and all (ewww!)

cazal

I don’t ever remember real dudes rocking rims and wearing MAC lipglass like that back in the day. Come to think of it, that must be some the 80’s baby shit you brag about. That is you in that picture right?!? I’ll let you tell it.

COMBAT JACK: My Gunshots Will Make You Levitate! (Hardbody Re-Up)

Saturday, April 28th, 2007

jimmy jump

Editor’s note: Internets veteran Combat Jack returns to the website to drop some fire on a young writer from XXLmag.com named Sickamore. It seems that the online publication’s writing staff have been given orders from their T.I. bosses to create a civil war between Hip-Hop fans born in the 1970’s and those that were born in the 1980’s. Some more fratricide that Hip-Hop surely doesn’t need, but if the young’n wants beef he’ll quickly see that Combat Jack isn’t the uno. I hope that this reply ends this beef thread once and for all. We shall see…

“You Gotta Have Style, and Learn To Be Original”
-quote from a 70’s baby

Being a true “70’s” baby, I’ve somewhat given up on the dismal state of today’s Crap Muzik as it is endlessly being churned out of all Hip Hop oriented media outlets (radio, television) like pork sausage out of a meat grinder. Understanding how the corporate monster operates, (exploitation until the point of oversaturation, or ‘point of diminishing returns), it’s clear that in our capitalistic society (eff a democracy, never was, never will be), the cause for the genre’s demise is far more complex than simply blaming one sole source. The factors leading up to Hip Hop’s current state is numerous and evolutionary, but also portrays the essence of everything under the sun, nothing stays the same, everything is impermanent. Adapt and evolve or get left the eff back. Understanding how EVERYTHING nurtured in Black culture (jazz, rock & roll, r&b , hip hop, soul food, style of dress, slang, sexy ass women of color, etc) has and will eventually be consumed, reinterpreted, remixed, cannibalized, dictated and spit out by our mass culture circus, it’s more than obvious that we’re all riding together in this church van to hell.

But lo’ and behold, the more things change, the more things stay the same.
I recently came across an example of some jig eager to get props by
attempting to create a “civil war” in the form of “80’s babies” vs. “70’s
babies” beef, thus upholding the tenets of the old Willie Lynch speech.

Peep game: “They Should’ve Never Gave You Niggas Corporate Cards”: How The 70’s Baby Executives Shaped Hip Hop Today For Better AND Worse

Dick-some-more’s thesis claims that the dismal state of today’s Hip Hop is in no way the fault of the ’80’s generation, but that the responsibility lies at the hands of cats like Hova and Damon Dash (Roc-a-fella), Irv Gotti (Murder Inc.) and other numerous music execs from the “Me Generation” that were instrumental in creating mad employment opportunities for idjits like him. Suck-much-more even gives a weak excuse in claiming that “us “crack babies” are only a product of our environment and upbringing” thus rendering him and his generation totally helpless from having any type of redemptive influence in resuscitating this Crap shit or in creating new types of art forms to bang to. That’s weak dude, last I heard, “excuses are tools for the incompetent”. But hey, let me, for a moment, bitch up and subscribe to this lame’s theory that today’s environment is too eff’d up and oppressive to create new, hyped unprecedented shit. Comparing today’s environment to yesteryear, us 70’s niggas faced, experienced, lived through the following (in no particular order):

welfare in abundance, the explosion of the crack epidemic, the introduction of a deadly new disease by the name of AIDS, effd up polyester suits, the tail end of bad exploitation flix, fug ugly ghetto chicks, no shortage of blowed up tenement buildings in our urban cities, Reaganomics in full effen effizect, Billy Dee Williams, White boys and rock music reigning supreme, effeminate r&b dudes heating up the charts, disco, Son of Sam, shags and jherri curls, NBA niggas rocking nut hugging briefs on court, effed the effed up subway systems, no cable TV, the 77′ NYC Black Out, no West Coast (or Dirty South) dick licking, (shit, no effin West Coast), original NYC gangs like the Jolly Stompers and the Tomahawks, Olde English 800, trey bags, no MTV Cribs just cracker jack ass Life Styles Of The Rich And Famous, Dallas, Dynasty, The A Team, Fantasy Island and Love Boat, no lap tops, no cell phones, raw unprotected sex (yes!!!) , no Rolex, no Bentley’s, no MTV, no corporate Black Cards, no Hip Hop publications, no Hip Hop videos, no Hip Hop radio, no Hip Hop clubs, no Hip Hop blogs, NO EFFIN” HIP HOP !!!! Now, if my memory serves me correct, niggas didn’t waste their time getting their boxers all up in a bunch and cryin about shit and their environment, niggas manned up and evolved.

Now before I get dismissed as being a “grumpy old man, living in the past and hugging my De La Soul Is Dead cassettes”, ain’t no T La Rock, Just-Ice Jordache shit over here son. To all my new niggas repping the 80’s baby set
correctly, no stray shots aimed your way (whaddup Bol, Eskay?). This ain’t
about East vs. West, 70’s vs. 80’s, old vs. new, it’s about niggas and bitches, money and power, and a grown man learning one of his son’s right and proper in the middle of the street.

Now, I can understand Dick-some-more’s frustration with 80’s Babies supposedly having a tough task at hand, but yo, that’s life dun. Buck the eff up or get the eff out of the way! For the life of me, I can’t understand how niggas like you allowed Laffy Taffy and Yung Joc niggas to run ya’ll ragged like track meets. Seems to me it’s waaaaaay past time for yellow purty mouthed ijgs like this kid to stop their blood clot cryin’. A good start would be to remove cracker jack’s nutt sacs from yer tonsils and getting Saigon’s unit from being stuck waaaaaaaaaaaaaaaaaaay up from inside you!

Nullus.

CAPTAIN BILLY SUNDAY’s PIRATE RADIO PODCAST

Thursday, April 26th, 2007

iPirate

Back in the building with more of that good good for your anus the Captain has a gang of hits for this week’s drop. I’m not sure what happened here last week but the music selection only elicited the sound of crickets in the brush. Maybe y’all felt a kind of way seeing the absurd parody of Hip-Hop being parodied by people outside of the ‘culture’.

Well get over yourself. Hip-Hop isn’t above our criticism, disdain, parody, praise or discipline. When you love something or someone you should be ready to discipline them when you see them doing wrong. If you are afraid to do that then you are wasting your love because they won’t learn self-control by themselves. Did you? So let’s take a break for a minute from the bitches and ho’s, but let’s not stray too far away from the beat. The break beat.

Who does the Captain fucks with when he’s not fucking with rap music? You already know that we digg on the Clash over here something serious. Them dudes is the second greatest band of all time behind Parliament Funkadelic and the Clash did their thing with a whole lot less members than P-Funk. True story is that before the tI’s declared that Hip-Hop had to made only by niggas in order for it to be authentic I thought the Clash was Hip-Hop. The Clash was cooler than fuck and them niggas did two important things with their music. Their beats and rhythms made me dance and their lyrics and songwriting made me think.

In the great African tradition there is the drum and the voice. The music and the message. Have a listen to the shit that the captain fucks with when he ain’t fucking with no cRap music…


THE CLASH – ‘Radio Clash’


PRIMUS – ‘Shake Hands With Beef’


RED HOT CHILI PEPPERS – ‘Emit Remmus’


PINK FLOYD – ‘Another Brick In The Wall’


QUEEN featuring DAVID BOWIE – ‘Under Pressure’


DEFTONES – ‘Sweetest Perfection’


PRIMUS – ‘My Name Is Mud’


RED HOT CHILI PEPPERS – ‘Around The World’


QUEEN – ‘Another One Bites The Dust’


THE CLASH – ‘The Magnificent Dance’