Archive for the ‘Pirate Radio Podcast’ Category

MF BORAT…

Sunday, June 6th, 2010

doom

Shouts out to who sent me this EP. I was looking to open up the Nas and Damien Marley joint and I saw this MF Borat shit still zipped up so I opened it. True story is that I will do anything not to open up that Drake album. DOOM comes to my rescue.

The backstory of this EP is that MF Doom met up with Sacha Baron Cohen during the filming of ‘Borat’ back in 2006 and the two became friends. I don’t recall what that meant altho’ these beats must be from some downbeat dubstep emo euro-Montreal moody rap producer. In any case I dig the jazzamatazz (R.I.P. Guru) that DOOM is spitting over.

A four (4) track DOOM EP > a full length [ll] anything from Drake.

MF Borat: The Mask and the Moustache


DOOM featuring Samantha Alexes – ‘Dedicated To Love’

Thank Me Later…

Saturday, June 5th, 2010

drake

Editor’s note: I’m away from the lab today for the Roots picnic in Philadelphia so I am using a few guest drops to keep things poppin’ on the page. This first post comes from my dude Yooj‽ over at Recording Live From No Where. He does a mini-review of the Drake album ‘Thank Me Later’ that has the internets all a TWitter, literally.

Yeah you prolly got it already…. anyways…

It took me 5 listens to realize that I was investing a lot of thought into this 24 year old. It’s not because his music necessarily resonates with me personally, but moreso because I honestly am moved by the way he resonates with kids. Its wild that no one under the age of 18 really questions the duality. He’s allowed to be both a womanizer and a sucker for love, and just attributes all of his actions to embracing life. It’s actually pretty refreshing to hear from a young black man this day and age.

A wise person once told me that one key reason that Black men have sentenced themselves to such limited range of expression, in anything from emotions to fashion sensibilities, is because we have never witnessed a “masculine movement”. If that is even a term. Women have spent eternity fighting for the right to express themselves the way they see fit, and thus have much more refined and evolved means. I know I am butchering her theory, but trust me it was some genius shit.

Could this be the start of a sort of Emo-Renaissance for young black men? Who knows… Drake is introduced right on the heels of the mixtape thug era, but coupled with Kanye and Wayne, is ushering in this wild era where overt emasculation and conscious moments of sensitivity and honesty are actually praised. It gives a new meaning to “The realest shit I ever wrote”. Though I really don’t believe a damn thing he says, funny enough. And trust, its not that he goes with no criticism at all… Shit… I will be the first to provide a “this mahfuckah Drake’s sensitive as fuck, son” joke when the opportunity presents itself. Its just that more kids defend his position than I ever thought would. They empathize with the vulnerabilities and, oddly enough, are empowered by the example of a young rap star that seemingly hates fame.

I say that to say this… I fux with the kid and we could learn a lot from his sucka-for-love self.

About the Music: It’s extra-listenable and he manages to make an album that goes hard in the softest way possible… Pause. (see, I still got a ways to go)

And as a consolation for the delay, I included the joint he’s using for the iTunes Bonus as well… And of course all production credits and artwork.

*Drake – Thank Me Later*

Peer Pressure…

Wednesday, June 2nd, 2010

kenny


MobbDeep – ‘Peer Pressure (produced by DJ Premier)’

ThunderCracker and I having the chance to work together was a godsend. We both kept each other out of trouble except for the times we were causing trouble, but at least we were together then too. Everyone had their little grinds back then. Soundwave had the Oppenheimer joint and Polo was working for the Lintas ad agency. We all knew our next stop was millionaire status. A little offer came to me from some buddies who I went to Tech with. They always saw me in the clubs and parties downtown. They wanted to know if I felt like stepping up to the superstar spot in the club scene. These dudes wanted me to push that yayze for them.

I was several years removed from standing on Northern Blvd. with Bar-Kim and those dudes and cocaine was way more glam than crack was. Crack was for poor people. Cocaine was like caviar I thought to myself. Only rich people could even fathom the taste. I told them dudes I was down to go in and see what was what. The popular parties at the time were a few spots in the East Village that played house music and the earliest form of techno(which sounds good comparatively today). Save The Robots was the after-after hours spot to get it in at and this is where the hardbody partygoers touched down to get high.

I asked TC to fux with me one night/morning I was going to Save The Robots to put in work. I had to promise him there would be broads to fux with at this spot. TC didn’t immediately trust me on this maneuver because the house music downtown scene was hell’a ghey(just like it is today) but I convinced him that we would have fun plus I was gonna break him off from the money I was making that night. The math was real simple too. Grams were going for forty but 8-balls were a hundred. Smart money would have copped the 8-ball because that shit was 3.5g so you basically got yourself a free gram for your committment to getting high.

I could hardly ever move the 8-balls though and sometimes I would sell five grams to the same cokehead. Don’t bother with trying to explain fiscal values to someone trying to blow their brains out. That same head will be begging for a discount when his paper gets short. I gave breaks to the best custies anyhoo. So ThunderCracker rolled with me to the club on the promise of ho’s, cokeheads and adventure. As usual we find what we are looking for. Save The Robots was forever that spot.

You walk into the basement of Robots and you can barely see your outstretched hand through the smoky darkness. The air is rich with the smell of burning tobacco x cocaine. Its a funny smell to me because its acrid yet amazingly sweet tasting in my nostrils. You will never confuse this scent with anything else in your life. Hopefully you won’t ever become as familiar as I once did.

I showed TC the corner where I usually posted up. Back in these days you could smoke in NYC clubs so TC knew to pull out the White Owls and to start rolling up. I was busy looking for custies in and around the bathroom area. When I got back to TC he already had a spanish shorty sitting with him. Very Lisa Lisa-ish. For all I know it could have been Lisa Lisa except she wasn’t that busty. She wanted to smoke our weed and I didn’t give a fux as long as TC didn’t either. If you knew him like I did then trust that he was going to try to fingerbang this chick in the corner.

Shorty had a plan though and that was to put her crew down with the blunt. A couple of Puerto Rock chicks on the ‘L’ is what’s up, but a whole calvacade of LES mofos plus some random crackhead is not happening. TC told dude not to touch the dutch but I guess that regal Puerto Rock attitude couldn’t comply and when dude was about to put his lips to the blunt you heard the electric sound of teeth clicking one another. Hard. What was that for? TC was one of the best knockout artists of all time and dude was prA’li unconscious before his head hit the floor.

Now these chicks and some other skinny crackheadish character are flailing away at TC. Like a surgeon he steps back to get some space from them and then extends a jab into the jaw of the skinny dude immobilizing him instantly. It started looking like Michael Jackson’s Thriller zombie sequence as all of these crackheads, cokehead and clubheads started converging on TC and I. We were fighting our way up the stairs and out of the club. When we got outside onto the sidewalk I started to bust out laughing. TC was still super-hype and angry and he yelled at me what the fux I thought was so funny. I opened my fist to show him the blunt I had picked up as soon as the fracas broke out. We lit that shit up and smoked on our way to the F train Second Avenue station.

I didn’t ask ThunderCracker to come with me to the clubs downtown after that. He wasn’t mad neither.

MobbDeep – ‘Peer Pressure (Large Pro Remix)’

kenny

RUCK, ROCK & ROLL…

Monday, May 31st, 2010

richter

^ Yo Alex, where my pics mister?

Brooklyn goes hard[ll] early in the morning. Happy Memorial Day.

Heltah Skeltah – ‘The Art Of Disrespekinazation

Sean Price featuring Rock – ‘P-Body’

Sean Price – ‘Boom Bye Yeah’

Laserbeam Rap Is Back…

Sunday, May 30th, 2010

kw pew

*pew, pew, pew!*

Complex magazine hollered at the kid again to participate in their rap music roundtable review they call ‘The Consensus‘. This time around we were to drop a few words on the new KanYe West single featuring Dwele titled ‘Power’. It’s a good song that I could envision being on the ‘808s & Heartbreak’ album. Musically it fits into that groove while lyrically KanYe is rapping and not using the spartan repetitive prose he employed in 808s. Or the autotune.

Listen…

This what the fux I’m tom ’bout. That Eminem single you sent out was great for retahds and losers to get dressed to, but this shit here is what a Wall Street daytrader showers to in the morning. All ego with no apologies. Like Jordan shooting free throws with his eyes closed.

One day in the near future someone will uncover 808s and wonder how our culture produced that futuristic album but couldn’t follow up that movement. KanYe dialed his shit back to put this together and its still gonna be a crazy single. The live instrument concert version will be off the hook.

4.5/5

Now peep all the reviews from the distinguished panel – The Consensus