Drake’s debut album is the sonic event for 16yr olds worldwide. This album wasn’t as cheesy as I thought it would be. I mean, it’s pillow soft, but it isn’t Justin Bieber for Black people.
Drake isn’t going to bring back anything about rap’s golden era and that is fine. In 2010 I don’t think we should be looking in the rearview mirror to move forward. Rap has returned to its dancing at the disco roots and Drake injects his own type of Rap & Bullshit into the matrix.
Thank Me Later is all 808s without the heartbreak. It’s a fun album for the 2010 summer. It won’t make it to the fall tho’. And it honestly doesn’t want to. TML wants to have fun now and see how many groupies it can pick up without really trying.
Thank Me Later will own the aspirational rap niche this summer with all the guest features that fill this album up. I want to call this disk a pancake because it’s dripping with syrup.
‘Fireworks’ featuring Alicia Keys
‘Fancy’ featuring T.I. and Swizz Beats
‘Show Me A Good Time’
On my first couple of spins of TML I would give it a double Lutherburger [ll] rating with extra cheese thanks to all the features.
It’s that time of year again where my folks from KeiStar do what they do and give you a night of the most memorable music you ever heard. Please act like you know…
Unlike my blog brethren, the great Combat Jack, I see the Kat Stacks storyline not as a trainwreck tragedy, but as the last of the great American success stories. Only in America can a whoare, who may very well have a learning disability, be able to negotiate for herself the lifestyle of her choosing.
Here I am going to a panel in Washington D.C. to advise people on how to get a foothold in the realm of social media and marketing and I stay one paycheck(not from any internets endeavors) away from eating at a soupkitchen. The Kat Stacks website is as basic as any basic bitch might devise and it is a murderer for referral traffic.
The sky is the limit for this chick because there is no line that she won’t cross. Kat Stacks’ is getting movie deals that aren’t pr0n? Kat Stacks is functionally illiterate and also securing book deals. This is the rapture ladies and gentlemen.
The cult of celebrity has found their savior and she is a hot mess-iah…
At the end of the day, we are all just suckers for love. Keep stackin’ your paper Kat.
Both are super effective viral videos aimed at sparking a discussion concerning the images that we see on the daily and take for granted on how they shape our consciousness. Sex and violence are uber-pervasive memes in our culture. Sports might be the most consumed, most egregious combination of the two. Think about it, conquest and domination through the use of men playing with balls. Do you still need to see the pause sign? Fine, [ll].
Video games pick up the slack for those folks not interested in the passive act of simply watching television. These are the folks that want some hand-eye stimulation. Again, [ll]. Sex and violence are the pre-text, subtext and the text message for our cultural entertainment. Why else would Lady Gaga be so damn popular? She plays to our most basic desires of witnessing sex and violence.
EYKAH BADU spoke to Black Entertainment Television about the process of creating her viral video…
BADU’s video ‘Window Seat’ speaks to our most base visceral inclinations, which are sex and violence. Say what you want to about BADU, but she found a way to push people’s buttons without exploiting children.
Combat Jack has started a series of drops over at the Daily Mathematics about his remembrance of the legendary NYC nightclub Paradise Garage. In the first part, CJ deftly describes the setting of the nightclub. Fridays were the so-called “straight” night mainly because Saturdays were so balls out ghey that anyone who got inside on a Saturday night is now dead from AIDS. Good thing for me that I wasn’t able to get in the first time that I went there (Saturday).
If I had a little money I would fux with the Garage after leaving the Quarters. Union Square was closed on Friday at this time and the Saturday party in that space was a dancehall joint called the Underground. Combat Jack also mentioned Bentley’s as a spot were Black folks convened, but the Bentley’s crowd had several other spots to do their thing like The Red Parrot and Silver Shadow. Paradise Garage had a downtown crowd which was distinctly different from any other spot where Blacks partied.
First of all, there was no liquor being served. NYC’s liquor laws were such that any place that had a license to sell liquor had to close for business by 4am. The Garage would be open from 12am until next month. I distinctly remember leaving the Garage one afternoon AFTER noon. I was leaving and people were still in the main room dancing and jacking their bodies. That was the phrase for dancing in the Garage. You were supposed to ‘jack’ your body. When people would first get into the cavernous club you could find them in one of the many rooms stretching themselves like Rosa Acosta. You needed to be in fairly decent shape if you were going to smoke crack and then dance for 10 straight hours and that is exactly what folks were going to do.
It was in the Garage where I first experienced the acrid, yet surprisingly sweet smell of crack cocaine. I never knew what that shit smelled like. I knew what it looked like but I had never seen anyone actually smoke it. The Paradise Garage was where I learned a lot about other drugs that were popular. I got turned on to mescaline and acid while I was up in there. I don’t want to over-emphasize the drugs aspect of the Garage because that really wasn’t what was happening inside of the building. Don’t get it twisted, people up in that bitch were getting fucked the fuck up hardbody, but some folks were in there straight-edging and strictly vibing.
I started fuxing with the Garage after this chick I knew from L.G. (Lafayette Gardens) named Diane told me she was going there after Latin Quarters. I had tried to go there before on a Saturday night but I couldn’t get in [ll] and I didn’t realize that Saturday was the super ghey night. I didn’t have a gaydar then, truth is that I still don’t because I don’t give a fux. So I went down to the Garage after the LQ closed. Polotron and Big Du from the ‘Stuy rolled with me. Du’s brother Brian rolled too. All these fools were older than me and they had already been up inside of the Garage.
Polo and Du are both four years older than me. They graduated from Brooklyn Tech that June before the September I first went in. these dudes were nightclub OGs. 10-18(Roxy), Danceteria, The Fever, Union Square. They went to the Quarters on Friday to pre-game for the Garage. The deal was that we had to split up and get with chicks in order to get inside, or better yet, I had to find a chick to help me get inside. My girl Diane was on line after we had parked the car so I got with her and Polo rocked with her girl. The line to get inside the Garage was almost as fun as being in that piece. The energy was there.
The difference between the Garage and the Quarters was the direction of the energy. The Quarters and Union Square were dominated by dudes who from time to time(every single fuxing night) would set it on some other dudes [ll]. Whereas the Garage had energy that was high but moving in the opposite manner. You could bag up a shorty and dance with her all night. I mean dance with her so much that you had her smell on your body. If she was having a visit from her Aunt Rose you would be wearing that scent too. My girl Diane changed out of her LQ sweats into a cycling singlet. Actually I think she just took off her sweater and jeans.
That was the uniform for chicks in the Garage. Biker shorts and t-shirts. I always had on a Polo rugby or sweatshirt that I would literally sweat out into oblivion. I would leave that club looking like I went swimming fully clothed. You couldn’t go in there and not dance for hours on end. The vibe in the Paradise Garage was what that party was all about. No one fuxed with you the wrong way. I didn’t violate any girls and I never had a problem getting action. There was no alcohol to make dudes act foolish, altho’ cocaine is a helluva drug. The vibe was a true spaceship making its way to a distant planet.
What shaped the vibe was the music, primarily spun by the resident deejay, LARRY LeVAN. Google that brother’s name if you are into music for real music. The Garage was an actual garage with concrete floors, walls, columns and ceilings. The main room was pitchblack and the sound bounced off the walls at the speed of sound. You were in noisechamber and you couldn’t see your hand in front of your face. What you did was you took your girl into the main room and you found a clearing for y’all to dance. Then you jacked your body. And you soul clapped. When I tell you that you could do anything to your girl on the dancefloor I am telling you that you could do anything with her consent. I earned my stripes as the fingerbang champ at the Garage.
LeVAN’s grooves would reach fever pitches and then come back down to Earth only to fly up again. If you played the rhythm right you could orgasm with the music. I mean, that was the point you dig? When I could dance with a female in the Quarters (I never danced with a chick at the Square, niggas would murderlate you) it was like we were always in competition for who had the better moves. In the Garage you and your girl were trying to lock a groove together. You would be riding in her seat, holding her thighs or her hips trying to thrust in to her at the exact second she was backing into you. Not all aggressive either, but smoothly and fluidly as if you were swimming.
The thing I have to give the Garage the most credit for is putting me in the mind to get my own apartment so I could go bang. It wasn’t all about the drugs or decadence for me since I had already seen all of that in Corona where I grew up. I wanted to get some of these girls back to my spot to really express the primal dances we were doing in the dark. I also remember the music that made me feel a kind of way. While Public Enemy #1 and UltraMag’s Funky were the Hip-Hop jams the band that made the funkiest, most soulful house music was Fingers, Incorporated. With Mr.Fingers on the keys and Robert Owens on the vocals this band established the sound for a deep house groove.
I’m not of the mind that the types of parties I enjoyed in NYC when I was 16 don’t still happen here in the city today because they do. KeiStar Productions (shouts to Keita who used to party in LQ) puts together events that still have that energy if not the total ambiance. Paradise Garage had the feel it did because the full spectre of AIDS, crack, heroin and poverty hadn’t fully manifested itself yet. It was tumbling to that place where we could no longer trust anyone in this city and when that moment truly arrived the Garage was no longer a Paradise and its doors closed forever. But I did have a chance to experience a distant planet. And it was good.
Fingers Inc. featuring Robert Owens – ‘Distant Planet’
Fingers Inc. featuring Robert Owens – ‘Bring Down The Walls’
Fingers Inc. featuring Robert Owens – ‘Never No More Lonely’