Archive for November, 2007

ERNIE PANNICIOLI IS HIP-HOP…

Friday, November 16th, 2007

ernies movie

If you have been to this shit with any regularity then you know that we are presided over by one of Hip-Hop’s foremost historians. ERNIE PANNICIOLI was one of the first photographers to venture into the impoverished New York City neighborhoods where people were creating their own form of artisitic expression despite being an ignored and disenfranchised demographic.

For over three decades ERNIE has documented the artform of Hip-Hop in its entirety. From the graphic representations that filled the subways and handball courts to the physical manifestation of the artform in dance movement on to the musical descriptions and artists. As rappers became the reporters of the travails of ghetto life, ERNIE represented their images through his photography and put a face to the words we listened to.

I can’t even begin to tell you all the publications that have borrowed his work. I can’t begin to tell you all the artists that his lens has illuminated. Its an incredible honor for me to be able to call him my friend and my brother. I would love for some of my friends that frequent this website and live in the tri-state area to help me congratulate Brother ERNIE on the premiere of his documentary film at the Big Apple Film Festival.

‘The Other Side Of Hip-Hop’ tells ERNIE’s story of Hip-Hop as he grew up a poor youth, but this isn’t a rags to riches story. Far from it. This is the story that describes the essence of Hip-Hop itself. The beautiful struggle is one that must always be fought. As long as poverty, racism, classism and supremacy exists there will always be the struggle. The movie is a great journey through one man’s life as he finds comrades in the struggle. Its a fantastic story and I promise you that you will be empowered after you watch this movie. The added bonus is that you will get to meet the man himself and see firsthand why he is so respected and feared in the Hip-Hop community. Brother ERNIE is the truth, and some people can’t handle the truth.

Saturday November 17, 2007 – 2:00pm
The Other Side Of Hip-Hop
Tribeca Cinemas
54 Varick Street, NYC (212)966-8163
www.tribecacinemas.com

ernie bam

ernie george

nas

Starbury Threatens To Start Snitching…

Friday, November 16th, 2007

marbury and ja

Starting backcourt for the NYC Has-Beens…

I don’t suppose STEPHON MARBURY was ever briefed on the code of the streets because this week he decided to do something most people would say isn’t Hip-Hop. MARBURY threatened to dish the dirt on the New York Knicks coach ISAIAH THOMAS if THOMAS benched him because of his lackluster play.

Nevermind the fact the MARBURY is past his prime as a top tier pointguard in the NBA. I think its ridiculous that he would try to hijack his position with this team right after the ALLAN HOUSTON situation where the Knicks were forced to pay out a contract for an obvious burger bum. STEPHON should have more respect for the team, and the city of New York. Take your ass to Italy already.

The New York Knicks begin every season with a plate full of hope from the free agents acquired and the development of some of their younger talent. We fans don’t expect to contend for a championship unless every All-Star from around the league is kidnapped by aliens from outerspace. Being a New York Knick is more about having pride in your uniform. For chrissakes, STEPHON MARBURY wears the same number as one of the most hardbody players to ever wear a Knicks jersey. JOHN STARKS was the hustler’s posterchild, and MARBURY does all Knicks fans a tremendouis disservice by wearing that jersey number and being a lazy bum.

I hope that the Knicks are able to deal him to some other team before the new year so that we can get on with the business of playing basketball the New York Knicks way. Six years ago I was one of the fans that felt STEPHON MARBURY was given a bad rap from around the league, but now I see that I let my NYCentric mindset cloud my better judgement. Where there’s smoke there’s usually fire, but in the case of STEPHON MARBURY the fire has already been too smoked out. Maybe the Brooklyn Nets can use a mascot after their arena is completed. Until then I wouldn’t mind if MARBURY wore #3 for Lottomatica Roma.

Memo to MARBURY: Snitching in Italy is frowned upon seriously. Peep the Godfather series.

** UPDATE: To all my Knick Fans, stop by Rock The Dub and politely tell Khal to kiss your asses.

The King Has No Underpants On [ll]…

Thursday, November 15th, 2007

t.i.

My favorite Hip-Hop moment this past week is the following video from the king of rap T.I. While he is under house arrest for his upcoming trial he decided to film a video proclaiming his innocence. Instead of wearing a suit and a pair of the $10,000 cufflinks he owns he instead wore a bathrobe. I’m waiting for the next installment of this series where he gives us a video while he is brushing his teeth, or cooking turkey burgers in his boxers [ll].

cRap music needs more moments like these. Remember when Kay Slay made a video while he was sitting on the toilet eating cereal? Let’s see how cRap muisc stars really live. I want to see a video of Young Jeezy bagging up groceries in the Publix, or how about The Game directing traffic onto the Santa Monica Freeway? Since cRappers are too busy now doing everything else BUT rapping why not go to YouTube with some of that crazy shit?

link = REZIDUE via NAH’RIGHT

Should’a Never Gave You Niggas Skateboards?!?

Thursday, November 15th, 2007

ian reid

The New York Times, in typical NYTimes privileged fashion has discovered that negroes are riding skateboards(again!). You already know that I hate the pandering liberal, closeted conservatism of the New York Times. These are the same faux liberal fuckwads that railroaded the six Harlem teenagers falsely accused of raping the Central Park jogger. The NYTimes threw them dudes under the proverbial bus in the worst way. So I am always suspect whenever they run a story that mentions Black youth. Don’t sleep on these supremacists either, in the NYTimes newsroom nooses are referred to as tree accessories.

It turns out that one of the intrepid reporters from the Times, some relocated Mid-Westerner caught a glimpse of some Black kids doing kick flips in front of the Brooklyn Museum of Art. Their attire must have emboldened him to ask the kids a few questions about their reasons for grinding in front of the museum. Of course, PHARRELL WILLIAMS was credited with the fad of skateboarding in the urban community as well as Lupe Fiasco. What was odd to me was that the reporter didn’t dig any further into the urban skate scene than STEVIE WILLIAMS. Typical of the NYTimes to keep their reporting a generic commodification of the true urban skate scene.

My homey IAN REID has been grinding boards from Bed-Stuy to Bangkhok, from Fort Greene to fucking… Yeah! My dude is the underground center city skate king and if you ever saw the video ‘Sex, ‘Hood, Skate & Videotape’ you would already know what’s good. I’m not trying to take anything away from STEVIE WILLIAMS or HAROLD HUNTER (GOD bless the dead), but my nigga IAN goes in with all the street skaters. IAN’s video is a mix of bumfights, drunk nude chicks and yeah, skateboarding. Shit is hardbody as fuck. You don’t believe me? Watch the fucking trailer.

Where In The World Is CAM’RON San Diego?

Thursday, November 15th, 2007

camron word detective

The new mixtape cover.

Rap music in the new millennium is fueled by personalities and events. Why else are there a dozen or more awards shows annually? It’s not like people are doing more things artistically. It’s just that we are celebrating mediocre art more frequently. At these events we see personalities. Some will be dressed in tophats with tails, while some will opt for white tees.

In a year that has seen some G.O.O.D. music come out of the rap genre we are still dominated by discussion of one of the greatest mediocre rappers evar. CAM’RON GILES has spent the last six months of 2007 in an undisclosed location while the rap world, er, the internets, has speculated on what his future recording career might be. Are we that bored? Yes, and no. The truth is that CAM’RON is one of the rappers who understands the cult of personality disease that plagues most Americans.

Why else do we care about Foxy Brown? Let’s face it, Foxy is a more compelling personality than Lil’ Kim. I could care less about the music output from either lady, but I find myself anxious to hear about Foxy’s latest dustup in the county lockup. CAM’RON applies the same principles for marketing his personality. He has become a character that can possibly say anything at anytime. From his laughable interviews on the Bullshit O’Reilly show to his embarrassment to the entire African American collective on 60 Minutes it’s obvious that CAM’RON knows what to say to push our buttons.

Why else would we even care about his whereabouts? Last week was further proof that CAM’RON still has a buzz with the folks that live in their parents’ basements. A media event was created at the idea of CAM’RON giving away his latest mixtape in front of the Apollo Theatre in Harlem. This is the first music being released by him since his pre-summer squabble with Fifty Cent, another fellow media whore savvy rapper.

Suffice to say, CAM’RON didn’t show, but enough people did show up and report on the scene that ensued. Everyone seemed to be in awe of the pink colored Range Rover. I would venture to argue that even if CAM’RON hadn’t distributed his mixtape on that night just the appearance of a pink painted Range Rover would have satisfied the crowd. The events have exceeded the art that created them. Where in the world is CAM’RON? He’s thinking up his next media event.