Wonder-Full Washington D.C.

January 11th, 2009

wonderfull

It’s official party people, this will be the party of the year…

Starting on Monday night @ 8pm and going on until Tuesday morning @ 6am

KEISTAR PRODUCTIONS * SHINE ON ME * & MN8

present

WONDER-Full™ -Stevie Wonder Tribute Party -& WHAT THE FUNK?! -James Brown vs. Fela ~ Inauguration Edition

* Celebrating The Legacy Of Dr. Martin Luther King Jr., President Elect BARACK OBAMA & The Genius Of STEVIE WONDER
&
WHAT THE FUNK?! James Brown vs. Fela Kuti ~ Musical Homage To Our “BLACK ‘FUNKY’ PRESIDENT” *

WONDER-Full™
Music By:
DJ SPINNA & BOBBITO

8:00PM – 2:00AM

WHAT THE FUNK?!
Music By:
DJ SPINNA & RICH MEDINA

AfterHours 2:00AM – 6:00AM

w/ DJ Salah Ananse Filling In…

@ LIV 2001 11th Street, NW – Washington, DC 20001

$30 Advance Tickets Available At wonderfulldc09.eventbribe.com


www.keistar.net
or keistarproductions@gmail.com

What You Don’t Know About Gaza…

January 10th, 2009

gaza


Editor’s note: I was stunned that this article by RASHID KHALIDI appeared in the NYTimes since they are the leading supremacist mouthpiece. Someone was surely fired for letting this find print.

NEARLY everything you’ve been led to believe about Gaza is wrong. Below are a few essential points that seem to be missing from the conversation, much of which has taken place in the press, about Israel’s attack on the Gaza Strip.

THE GAZANS
Most of the people living in Gaza are not there by choice. The majority of the 1.5 million people crammed into the roughly 140 square miles of the Gaza Strip belong to families that came from towns and villages outside Gaza like Ashkelon and Beersheba. They were driven to Gaza by the Israeli Army in 1948.

THE OCCUPATION
The Gazans have lived under Israeli occupation since the Six-Day War in 1967. Israel is still widely considered to be an occupying power, even though it removed its troops and settlers from the strip in 2005. Israel still controls access to the area, imports and exports, and the movement of people in and out. Israel has control over Gaza’s air space and sea coast, and its forces enter the area at will. As the occupying power, Israel has the responsibility under the Fourth Geneva Convention to see to the welfare of the civilian population of the Gaza Strip.

THE BLOCKADE
Israel’s blockade of the strip, with the support of the United States and the European Union, has grown increasingly stringent since Hamas won the Palestinian Legislative Council elections in January 2006. Fuel, electricity, imports, exports and the movement of people in and out of the Strip have been slowly choked off, leading to life-threatening problems of sanitation, health, water supply and transportation.

The blockade has subjected many to unemployment, penury and malnutrition. This amounts to the collective punishment — with the tacit support of the United States — of a civilian population for exercising its democratic rights.

THE CEASE-FIRE
Lifting the blockade, along with a cessation of rocket fire, was one of the key terms of the June cease-fire between Israel and Hamas. This accord led to a reduction in rockets fired from Gaza from hundreds in May and June to a total of less than 20 in the subsequent four months (according to Israeli government figures). The cease-fire broke down when Israeli forces launched major air and ground attacks in early November; six Hamas operatives were reported killed.

WAR CRIMES
The targeting of civilians, whether by Hamas or by Israel, is potentially a war crime. Every human life is precious. But the numbers speak for themselves: Nearly 700 Palestinians, most of them civilians, have been killed since the conflict broke out at the end of last year. In contrast, there have been around a dozen Israelis killed, many of them soldiers. Negotiation is a much more effective way to deal with rockets and other forms of violence. This might have been able to happen had Israel fulfilled the terms of the June cease-fire and lifted its blockade of the Gaza Strip.

This war on the people of Gaza isn’t really about rockets. Nor is it about “restoring Israel’s deterrence,” as the Israeli press might have you believe. Far more revealing are the words of Moshe Yaalon, then the Israeli Defense Forces chief of staff, in 2002: “The Palestinians must be made to understand in the deepest recesses of their consciousness that they are a defeated people.”

Rashid Khalidi, a professor of Arab studies at Columbia, is the author of the forthcoming “Sowing Crisis: The Cold War and American Dominance in the Middle East.”

BILLY SUNDAY’s LATE NITE FUNK FLIX

January 10th, 2009

RFTW

Shout to Royal for reminding me about my fave R-n-B boy band.

I’m not sure how that video has made it past Universal Music Group’s regulators on YouTube because the UMG properties usually aren’t tagged with an embed code. This requires the true stans to create their own fanboy videos.

Here is a BluCheez approved RFTW fanboy video for ‘Oh Sheila’.

Buck Fifty Scar NOT Included…

January 10th, 2009

Micheal K Williams

The JUSTICE HALL shirts with the ‘RUN-DC’ graphic are the hottest tees on the planet. Don’t get caught sleeping. Get yours @ RUN DC ’09

Return Of The Ad-Lib Monster…

January 9th, 2009

fisty scent


BILLY X. SUNDAY asks the question… “Why rap?”

Who said you had to rap in order for you to make a Hip-Hop record? The truth is that you don’t have to rap at all. How many Hip-Hop records have been hits with simple call and response chants? How many Hip-Hop records are simply instrumental compositions? How many Hip-Hop classics have someone singing? If you are younger than 25 or a fucking retard you should put Oran ‘Juice’ Jones inside of the YouTube search window, or DRS Gangsta Lean. Rapping is only a part of making a Hip-Hop record.

After listening to Fisty Scent’s latest leak ‘Heartless Monster’ I realized how he could make an entire album of himself simply ad-libbing random thoughts with the reverb turned up and that shit would be the most entertaining record of the year. As a matter of fact it would be the top seller too. Provided the beats were brutally hard as fuck. On ‘Heartless Monster’ Fisty doesn’t start “rapping” until the 0:22 mark. He then raps until the 1:29 position. The song is three minutes long. So essentially there is 1 minute of rhymes over 3 minutes of music. During the rest of that time Fisty makes shout outs and threats and amuses himself while saying random shit with the reverb turned up.

That was the best part of the song. Okay, he did have that line about having a baby with your baby mama and becoming part of your family. That was good but the most entertaining aspect of the song is Fisty Scent’s greasy talk. When he talks about sending the young goons out to beat up faggots or making his own R-n-B album you have to laugh. Not that Fisty wouldn’t do either of these things, but just the idea that he amuses himself with spazzing out is what makes for a good piece of music. I’m already imagining some of the titles that Fisty might use for his new album…

Fuck These Faggots
On FTF Fisty Scent speaks about how the music industry is overrun with faggotry. He talks about how auto-tune and skinny jeans suck and he says that your favorite rapper is likely to be homosexual. The beat is by Dre. Shit is a classic.

Bitches Ain’t Shit
With BAS Fisty airs out all the hos that just want to spend up niggers monies. Fisty talks about some bitch he is fucking that follows him around the country with her man’s checkbook. Beats again are by Dre.

I Will Kill You Man
Fisty warns anyone that would even think of using these beats by Dre for their mixtape that he will personally visit their home and kill them. This joint is produced by Lord Finesse, er, rather Dre.

Fuck These Rappers
This is the Fisty track we have all been waiting for. He proceeds to air out The Game, Lil’ Wayne, Young Buck and Kanye West by telling us the story that they were all at an orgy together and only Fisty had sex with the women.

Fuck These Homos
Faggots really piss off Fisty Scent and now he directs his ad-libs at the industry people that shit on his projects or just simply don’t think he is the best. This song is powered by yet another Dr.Dre throwaway track which was considered for Detox.

The beats are what make this Fisty Scent ad-lib album so memorable. They knock hard and they help him get out the aggressive talk that returns him back to the top of the heap of Hip-Hop artists. The next thing we see in Hip-Hop is a bunch of rappers turning the reverb up to 10 to talk shit. Haha, and some of you thought auto-tune sucked!?!

Blogger’s note: [ll] pause to this entire drop of course