Archive for the ‘Straight Laced’ Category

YOUNG JEEZY = TONY ROBBINS IN THE TRAP

Thursday, December 21st, 2006

jeezy

My apologies to whoever thought of this headline before me. I can only pray it wasn’t Breihan.

Stealing the thunder of NaS’ ceremonious CD is the sophomore Def Jam disk from labelmate YOUNG JEEZY. His new joint is titled ‘The Inspiration’, but I don’t think that there are any gospel tracks on the set. I could be wrong though. A lot of past great Hip-Hop acts are now moving into spiritual Christian music and maybe YOUNG JEEZY is setting himself up for the long haul. You can be a preacher a lot longer than you can be a trap star.

JEEZY has risen to prominence like many Atlanta based rap acts by catering to his core audience of fans within that region. Similiar to T.I., but not nearly as polished a performer and surprisingly enough, not nearly as southern sounding, JEEZY simply uses the ‘hood as the framework and backdrop for his soundscape. A rags to riches story where the perils of the ‘hood are too irresistible to forsake even for fame and stardom. It’s a hard knock life for JEEZY and his fans, but they still find time to kick it in the trap while dodging the police, bullets and subpoenas from angry baby mamas. JEEZY recognizes that he is an inspiration to his listeners, especially the young ones who model their lives after this friendly neighborhood snowman.

younger jeezy

I’m not mad at JEEZY or the little boy in this picture, but for allowing her son to walk around looking this way the little boys mother should be raped and killed, and then raped again.

The place that JEEZY and most rappers describe in their music is a real place that is fraught with peril on a daily basis. To be able to visit these places as a voyeur without the risk of actually engaging the people and possibly learning that your consumption keeps them in this purgatory is the reason that rap music is so popular. Imagine having the chance to visit Kenya and watch lions in the bush without having to see the waste tranfer plant that is poisoning the land. The problem that arises is that many undereducated disenfranchised listeners are inspired to create this vision in their own lives. Maybe its to affirm their Blackness. Maybe its to affirm their manhood. In either case a quick glance at yourslf in a mirror can confirm either question.

They say that rap music is a mirror that reflects the truth about the ghettos of America. When I look at myself in a mirror I do so to change that about me which is out of place. I don’t use a mirror to help me stain my shirt. I use my mirror to make myself better than I was the previous minute.

What do you use your mirror for?

GRAND THEFT AUTO – ’87 AC LEGEND

Wednesday, December 20th, 2006

gta

I was wildly hyped the other day when I read an e-mail that was supposedly from the ad buyer for RocStar games. They were inquiring about my ad rates for different size banners that would be put up on the site. Now don’t get it twisted and think that I will let any peanut butter and jelly put an ad up on DP Dot Com. No sell out or we will get the hell out, but who could front on the company that created the ‘Grand Theft Auto’ videogame series. I don’t even play videogames like that, but why did I play ‘GTA/Vice City’ at my kid brother’s crib for over sixteen hours straight? That shit is wild fly bananas.

I was all set for these dudes to mail me a sample of one of their latest games along with a PS2 and a flat screen television since I don’t have one in my apartment. I guess it was just a hoax since they never replied to my e-mail but at least they inspired me to recount my own personal experiences with grand theft auto. Let me tell you about Thundercracker, Soundwave and myself and our brand new 1987 Acura Legend…

Summertime in Corona Queens is like summertime almost everywhere else, except in the shadow of Shea Stadium you sometimes hear the cheer of fifty thousand people during a Doctor K strikeout or a Strawberry round tripper. There’s also the rumbling of the old elevated 7 train on Roosevelt Avenue or the overhead roar of planes leaving LaGuardia Airport next door. To tell you the truth all of those noises composed the summer soundscape, but my favorite was the hum of rubber tires along the Grand Central Parkway. While all of the sounds I describe were precise events, the drone of motor vehicles on the Parkway was incessant.

The Grand Central Parkway was a strange animal to me. I used to ride with my father from our house to various locations throughout the city as he was a salesman. We always entered the Parkway off Northern Boulevard and then in what seemed like fifteen minutes we were transported to the distant lands of Canarsie or Rochdale Village or Williamsburg. The Parkway also brought us to bridges that we crossed to get to the Bronx or Harlem. When I was younger I had traveled through so much of the city with my dad that there wasn’t a neighborhood that I didn’t know how to navigate. This skill would be my saving grace later on.

87aclegend

Later on is during the summer again. This time it’s 1987 and me and my dudes are on the creep. What is worse than a bunch of smart azz jig boys up to no good quickly? I would argue that it seemed like everyone in the neighborhood was on some bad boy ish, but that would be a damn lie. Only a few of us were knuckleheads, but that was enough to paint everybody over with the dark brush. I was especially stupid too since I had been arrested two years prior in a narco street raid on Northern Boulevard. I kept my nose far away from Northern after that night though, and I had a group of brothers from Brownsville that were keeping me busy anyhoo. This was just another lazy Saturday afternoon around the way. I called T.C. and S.W. and told them to meet me on the corner of 34th Avenue so we could walk the bridge to the stadium.

Walking the bridge to the stadium was the route that cheap bastards took when they didn’t want to pay the stadiums parking fees. Some people would argue that you can get home quicker by not parking in the stadium lot and leaving your car outside somewhere, but after you walk the fifteen minutes to your car, isn’t that the same time that you would have spent in traffic in the stadium lot? One thing is for sure. You won’t be getting home any quicker if we can get in your car. In the grass fields that surround the perimeter of the stadium is a veritable buffet table of whips. High end to low end all together and accessible. The only thing you don’t want to do is pick a whip with an alarm. That’s never a good look.

The luck of my Irish grandfather was all over T.C. and I this afternoon because we didn’t even have to cross the bridge to strike paydirt. Right on 34th Avenue was a pearlized white and beige two tone Acura Legend sedan WITH ITS PASSENGER WINDOW DOWN! T.C. and I looked at each other, and then we looked around just in case this wasn’t one of those candid camera police stings since our ‘hood was kind of hot for this stuff. T.C. hopped in and banged the ignition cylinder out with our dent puller. He shifted into the driver’s seat and started the car. I hopped into the passenger’s seat and we screeched out of the parking space and went directly onto the Parkway.

You need to understand the incredible anxiety and nervousness that envelopes you when you do this. Your hands have to be focused and steady. You have less than a minute when that door is pried open to start the car. This means removing the cylinder entirely so that your screwdriver can turn on the car as if it were a master key. More often than not we were successful in getting a car, although we did suffer a scrape here and there. The bloodrush was undeniable, as was driving around New York City in something new and oh so clean. It turned out that this Ac’ didn’t just look and smell brand new, it had only 180 miles on the odometer. If JIM JONES had been riding with us he would have said “Baaaaallllin!”

87aclegend

There’s a reason that cars cost what they do. There is a level of engineering in a Mercedes that isn’t inside a Mazda. That’s not to say that there is anything wrong with a Mazda because there isn’t, it’s just to note that you get what you pay for. What this dude had paid for was Honda Automotives’ best engineering and design. Leather and wood grain paneling was on everything. It was like riding in a futuristic stagecoach. Keep in mind the types of cars that dominated in the 80’s. The Ac Legend was broad and long but it handled like a nimble Accord. It had a beast of an engine too and I actually opened it up one evening on the Grand Central. It almost opened me up too, in a bad way, but let me slow down and catch my breath.

The Ac was, up to that point, the best car that we had ever caught. Down the road, so to speak, we caught some more Acuras and an Audi 5000, but that night didn’t end on the right note. We were mostly into Jettas, Accords, Maximas and the smaller, lower models since they were the easiest to get as far as not having alarms or kill switches. For us, having these cars wasn’t about the appearance either, since we were trying to sell the best looking cars that we came across. Things were different however with the Acura. It had a way of showing us for what we really were — a bunch of lowlife punk thugs. We would argue about silly shit like who gets to drive the car to a certain party, or who could take the car out solo when they were picking up a date. It went on like this for the three weeks that we had the car in our possession. It was going to be the death of our friendships. Instead it was almost the death of me.

I took the car out one night without telling my dudes where I was going. I imagined that they knew I was going to get the car since I was on some superiffic playboy shit anyhoo. I drove out to Rosedale to pick up this tender young thing that I had met at Green Acres Mall a few weeks back. Bagging up a grey-green-eyed chick from Rosedale is something like hitting a three pointer and a grand slam all with the same golf club. There really isn’t any equivalent metaphor, I’m sorry. I didn’t go in her house, but there were two cars parked in the driveway and I’m sure her folks had a carpeted basement. All I could think about was airing her little pumpum out one afternoon while her folks were at work.

My little angel hopped in the ride and got all giggly with all the buttons that controlled her seat. I told her that she wasn’t allowed to touch any of the controls unless she asked me first. She was so young and tender that it took all my discipline not to pull the car over and smash her right in the passenger seat, but I had to stay strong. These good little girls are really freaks, but you have to tease it out of them. If you spaz hard from the gate then they know that you are gonna beast out after they let you come inside. I stayed cool party people. Ice cold and focused. I drove from the edge of Queens all the way into the city downtown. We went to a movie on 8th Street. I want to say it was an Indiana Jones flick, but I can not remember because we spent the whole entire movie lip wrestling in the back of the theatre.

So here’s where shit gets kind of blurry and you can blame all of that on a sixteen year old boy’s raging hormones. I drove tender young’n back to her house in Queens. It wasn’t too late so we stayed in the car and talked shit. I called shorty tender younglove, but she was actually older than I was by a couple. I was going to be a senior in high school and she was going to college. In our making out and petting she unzipped my pants and began playing with my manhood. She pulled my dude from my draws and then started to put her mouth on my stuff. Real talk… This was my first oral experience. To say the least, I was blown away. As always with me, puns are meant for giggles. What else could I say. This was now the greatest day in my life. I am in a stolen Acura Legend getting blown by the prettiest hazel-eyed mall rat evar. GOD, you can kill me now.

87aclegend

I really don’t remember shorty getting out of the car but that’s prahlee because she left me in a worthless heap. When I started the car again I drove a few blocks and then I got out to fix my kibbles and bits. I’m moving like I’m drunk and I still don’t drink at this point in my life. I’m just not totally here or there or wherever in Rosedale I was. I find my way back to the Cross Island Parkway, which I know will take me back to the Grand Central. I drive along a route that I pretty much know like the back of my hand. The Grand Central is moving nicely too. There’s a police precinct that adjoins the Grand Central in the Fresh Meadows area, but I am totally in the groove that I own this car because I wear my seat belt and I signal and shit when I am changing lanes.

I increase my speed to about 80 miles per hour as I drive through the Jamaica Queens area of the Grand Central. In a couple of minutes I will be at the Union Turnpike interchange where the G.C. links up with the Van Wyck Expressway. I increase my speed to 90 mph. At the interchange is a small slope of a ramp that in reality is a blind hill if someone at the bottom of the hill isn’t merging into traffic properly. I approach the ramp at 100 mph. I know this because I have been watching my speedometer for the last half minute instead of the road. When I finally look up it’s far to late to avoid an accident.

With the sound of screeching tires, shattering glass, crashing carbon fiber, and shearing metal, I rear end a car that is just merging with traffic and then immediately after hit a retaining wall head on. The Acura rests on a grassy embankment alongside the highway. My first reaction is to push aside the air bags and open the driver side door, but I can’t seem to get it open. It’s probably jammed together with the back door and quarter panels due to the accident. My next instinct is to try for the front passenger door and I am able to wrest that open. I crawl out of the Acura. I feel a little tingly and numb but I can tell that I don’t have any broken bones so I try to gather my bearings. I am at the foot of a bridge that allows cars to overpass the Grand Central Parkway for Union Turnpike and Queens Boulevard. I quickly climb up the bridge and make my way to Queens Boulevard. There is a subway station at Union Turnpike and the trains stopping there will take me to the old rusty elevated number 7 train.

The following day among my friends I told them of the story and the outcome of our Acura Legend. It seemed to be just desserts to them that I should be in this cataclysmic accident after stealing the stolen car from them. Although they had figured I was off doing some kind of showboating since I always had to be ‘The Dallas’. Years later when N.O.R.E. would rhyme about getting head in a whip without crashing it, I had to laugh it off. I was just thinking about getting head and my azz nearly clocked out.

87aclegend

The cRap Music Fantasy League (beta)

Tuesday, December 19th, 2006

secada

Here’s the list of labels that will be competing with one another for cRap Music Fantasy League supremacy this spring. In the end I only accepted teams that had confirmed their desire to play through a series of e-mails. If you don’t see your label name then that means I wasn’t able to establish your seriousness for the contest. It’s not that this will be all stiff upper lip play, but I usually dole out prizes at the conclusion of contests that I run on the site and this will be no different. Expect for me to give the winner a crispy pair of NIKE’s customized by myself and the designers at the NIKE Lab @ 255.

To all the poolers;
If you don’t like your logo, or I haven’t given you one, you may submit one to the administrator – crap.music.fantasy.league@gmail.com

Use that e-mail for all queries and complaints for items that you don’t wish to broadcast through the comments threads.

The Excel spreadsheet is underway and once completed will be mailed to you on a weekly basis. I want to do a test run before we get underway officially to make sure that my scoring systems work. Hit me up with any questions…

windbreaker WINDBREAKER Records
“We break hit records as much as we break wind”

FISTY SCENT
NAS
Lil’ WAYNE
YOUNG JEEZY
SNOOP
LUDACRIS
FERGIE
CIARA


BCS BIOCHEMICAL SLANGIN’ ENTERTAINMENT INCORPORATED
Snoop
G Levert
Game
Lil Kim
Jim Jones
Kanye
Lil Wayne
T.I.

noz COCAINE BLUNTS
Lil’ Wayne
T.I.
Andre 3000
Raekwon
Z-Ro
Pimp C
D’angelo
Foxy Brown

combat jack COMBAT JACK
Lil’ Wayne
Jim Jones
Jay Z
Fifty Cent
Game
Foxy Brown
Kanye West
Robert Kelly

chocolate city XOCOLATL CITY BALLERS
Young Jeezy
Nas
Ghostface Killah
Saigon
Eminem
Lil’ Bow Wow
Omarion
Shawnna

stony island STONY ISLAND ENT.
Kanye
Jay-Z
Lady Sovereign
John Legend
Pitbull
Ludacris
Game
Fort Minor

king cocaine KING COCAINA CANE RECORDS & DISTRIBUTION
Trina
R.Kelly
2Pac
MF Doom
Little Brother
9th Wonder
Mary J. Blige
Jacob The Jeweler

coon TyCOON ENTERTAINMENT
Young Jeezy the Snowman
Lady Soveriegn
John Legend
Jim Jones
Snoop
Fat Joe
GAYME
Lil’ Scrappy

commercial COMMERCIAL Records Inc.
“We own ya’ radio stations mayne!”

Tupac Shakur
Nas
Snoop Dogg
50 Cent
Remy Ma’
Robin Thicke
Jay-Z
Juelz Santana


sangano LIKWID TANGZ ENT.
Maxwell
Papoose
Pitbull
Foxy Brown
Saigon
B.G.
Game
Raekwon

s dot COSBY KIDZ WREKK-ERDZ
R. Kelly
Lauryn Hill
Timbaland
Snoop Dogg
Ghostface
Nas
50 Cent
Lil’ Wayne

sad records SOUTH AIN’T DEAD RECORDS
Akon
Trina
Z-Ro
Lil’ Wayne
Chamillionaire
Bun B
Trae
Young Jeezy

trapper SMOKED OUT Records
Justin Timberlake
Nas
Redman
Jay-Z
Big Boi
Ghostface
Lil Kim
Tupac

kamoji MR. KAMOJI
Snoop Dogg
Cassidy
R.KELLY
Zeeky
Gage
Foxy Brown
Gucci Mane
Blue Davinci

deaf jam DEAF JAM Records
Kanye West
Jay-Z
Notorious B.I.G.
Lil’ Wayne
Nas
50 Cent
Foxy Brown
R. Kelly

dukakis DUKAKIS HINDENBERG Records
Carl ‘Cockroach’ Payne
Debbie Harry
Ramellzee
Shawn Wigs
Sam Cooke
Cornel West
Yoyo Ma
Jay-Z’s fecal worms

FMT STATELY PLUMP BUCK MULLIGAN Records LLC
Ludacris
T.I.
Young Jeezy
Eminem
50 Cent
Chamillionaire
Chris Brown
Missy Elliot

blacklight BLACKLIGHT Records
Common
Ne-yo
Raekwon
GhostFace
Will I am
Doctor Dre
Kanye West
Lil’ Kim

nenna LITIGATION Records
Musiq
Lauryn Hill
Mos Def
Rick Ross
Nas
Andre 3000
Kanye
Fabolous

pete INCARCERATED SCARFACES Records
“We seen it like a 20 inch Zenith, believe it!”

Raekwon
Jay-Z
Kanye
T.I.
Andre 3000
Luda
Omarion
Missy


bluffington BLUFFINGTON Records
Jay-Z
LiL’ Wayne
Kanye West
Jim Jones
50 Cent
Pusha T
Pharrell
Remy Ma’

dubs ACTion Records
BIG-L
JIGGA
SAIGON
PAPOOSE
UNCLE MURDA
NAS
CHRIS BROWN
LAURYN HILL

dubble DUBBLE UP ENTERTAINMENT
Jay-Z
Lil Wayne
Camron
Dr. Dre
Snoop Dogg
Mario Winans
Remy Ma’
Kanye West

get fresh COBBLESTONE Records
“We flip bricks”

Jay-Z
Kanye West
T.I.
Musiq
Lil’ Kim
Common
Eminem
Game


bk mint BROOKLYN MINT Records
“Brooklyn keeps on taking it!”

Jay-Z
Notorious BIG
T.I.
50 Cent
Lil’ Wayne
Kanye West
Trina
Ne-yo


blue creme BLUE & CREME ENTERTAINMENT
“It’s megatrill out here!”

Fabolous
The Clipse
Nas
Young Buck
Jackie-O
Young Jeezy
Ghostface
John Legend


john brown JOHN BROWN MUSIC
“Cause only white people gon’ save us.”

Jay-Z
Kanye West
Fisty Scent
Lil Wayne
Camron
T.I.
Lloyd
Remy Ma’


rick james CODE RED Records
Nas
Luther Vandross
Shawnna
Andre 3000
Scarface
Sade
Tupac
Dr. Dre

giveupthegoods GIVE UP THE GOODS ENTERTAINMENT
Jay-Z
Snoop Dogg
Game
Eve
Akon
Ja Rule
50 Cent
Nelly

get me GET ME DON’T SHIT ME Records
“We already the shit!”

Snoop
Akon
Remy Ma’
Jay-Z
diddy
Gayme
Lil’ Bow Wow
Nas


be OUTERSCOPE RECORDING

Jay-Z
Kanye West
50 cent
The Game
Eminem
Diddy
Akon
Lil’ Kim


sayword SAY WORD ENTERTAINMENT
Bow Wow
50 Cent
T.I.
Young Jeezy
Lil’ Wayne
Nas
Justin Timberlake
Lil’ Kim

get it Get IT Records
Talib Kweli
Jean Grae
Nas
Ghostface
Omarion
Jay-Z
B.I.G.
Common

CB4 CHRISTIAN MUSIC RECORDS
Jay-Z
Nas
T.I.
Lil’ Wayne
Saigon
Kanye
Akon
Lil’ Kim

LionXL MENTAL CALISTHENICS RECORDS
Kanye West
Nas
Ghostface Killah
Jim Jones
Black Eyed Peas
Lil’ Wayne
Chris Brown
Foxy Brown

NMB SQUADRILATERAL RECORDS
Lauryn Hill
Justin Timberlake
50 Cent
Eminem
Jay-Z
Nas
T.I.
The Game

p-matik PROBLEMATIK RECORDS
Snoop
Jim Jones
Jay-Z
Bow-Wow
Young Jeezy
Ludacris
Akon
Eve

REASONABLE DOUBT = #1 ALBUM OF 2006

Monday, December 18th, 2006

old head

I should prah’lee qualify that headline statement since 2006 is the first time that I heard the ‘Reasonable Doubt’ album in it’s entirety. I wasn’t a fan of Jay-Z after he switched his style up to become a ‘hustler’. First off, what grown man aspires to be a ‘hustler’? Don’t hustlers do favors for other men?!? O.K. So I think these dudes meant hustling as in drug selling. That’s not as bad anymore, but where did all this come from? That wasn’t the style that dude brought into the rap arena so I wasn’t getting on board. I was a big fan of Uncle Ralph’s video program and dude did not pop that shit in ‘Hawaiian Sophie’. Anyhoo…

After I saw the ‘Resonable Doubt’ show at Radio City Hall I decided to listen to the album once and for all. I have to say that I enjoyed it from beginning to end. It’s the perfect CD to play inside your car while your driving on the highway. It’s like the soundtrack for anyone driving the getaway car after a bank robbery. It was total escapism. This Jay-Z guy is gonna be somebody one of these days. Since all the important Hip-Hop sites (as per XXL magazine) are doing their versions of year-end top 10 lists I thought I’d drop my own. Wanna see it? Well here it go…

1. Reasonable Doubt – Jay-Z
Since this is the first time that I listened to the entire album it’s like it dropped this year and there was no way dude was making this list on the strength of that ‘Kingdome Come’ woodchuck.

2. Champion Sound – JAYLIB
I had to listen to this again after ol’ dude passed away and the shit is still truck like a motherfucker.

3. Fishscale – Ghostface
Ghost brings it time after time. In ten years y’all will realize how futuristic this dude was and then y’all will try to buy my Iron Man kicks from me. No dice.

4. Hip-Hop Is Dead – NaS
NaS is another cat who seems to be re-energized with his career. Most disagree with me but I thought dude killed it on the track ‘Who Killed It’. The character called NaS doing a character’s voice is genius. All the haters are the same dudes that prah’lee couldn’t figure out the ‘Rewind’ track from Stillmatic. I give NaS credit for not being lazy or a coward to trying new shit. I was also the only nigga who liked the ‘Owe Me One’ track with Ginuwine so fuck y’all again.

5. King – T.I.
Yeah, and what?!?

6. Doctor’s Advocate – Gayme
A sweet, hearfelt G-song dedicated to his one true love. Just fun alone for counting the number of times he mentions Dre. Hint… Too many.

7. Most Known Unknown – Three 6 Mafia
I know this shit came out last year, but I didn’t give a fuck about these niggas ’til they won the trophy! And I still don’t care about these niggas, but I have to show respect to these cats for making stripper club music replace hyphy as that fringe Hip-Hop sound for the ’06. You know them niggas from Duke University was trying to pwn that girl to the Three 6 Mafia soundtrack.

8. Game Theory – ROOTS
Have to give it up to the greatest sound system in Hip-Hop. The ROOTS musicianship will keep some cats relavent long past their due dates.

9. The Outsider – DJ Shadow
Nahh, but I thought I’d throw that in anyhoo for the clipster contingent (no Breihan).

10. Niggaz & White Girlz – Kirb & Chris
Hands down the greatest blend of Hip-Hop and big 80’s evar. Get up on it.

For those of you that are scoring at home you should know that an album doesn’t need to be released this calendar year to find my wheelhouse of taste. If my car hadn’t been broken into and my OB4CL disk stolen that would have been the top album of 2006 again. So if anybody has the .rar for that one and the Chili Peppers ‘Californication’ send me the link. Nah’Mean?!?

The cRap Music Fantasy League (beta)

Saturday, December 16th, 2006

e feezy

Alright cRap Music Moguls, the intro e-mail has been sent out to e-mail addresses that you provided in the initial post. I know some of you as regulars on the site so that is why you don’t have a confirmation e-mail, but all of the new jacks have to show and prove.

Let’s use the time before January 1st to get all the kinks out of the system. If you guys are going to be good cRap Music Moguls you are going to need a points system. This is how you rate how productive your artists are for you. Since rap music has taken over the pop music landscape here in America it’s easier to find your artists receiving media exposure in mainstream outlets. People, TIME and LIFE magazines which have long been a barometer for mainstream America consciousness have featured cRap stars on their covers all within the last year. The easy part should be picking your artists. The hard part will be knowing when to release them and move on. You will receive money points for all the entertainment industry achievements that your cRappers secure.

Since you will earn the most money points in cRap Music Fantasy League when an artist on your roster reaches gold or platinum certification the idea will be to have artists with potential for such feats. Even more important than that will be to have artists that have material being released. If your artist makes platinum plaques but isn’t releasing anything in the first quarter you may want to drop that artist. Artists that find themselves in the news are also good for your roster because they help you generate notoriety points. Think of these points in terms of the mythical ‘street credibility’. You want your roster of cRappers to be highly ranked on both money points and notoriety points.

While reading Nah’Right I saw the story of Detroit cRapper TRICK TRICK signing a record contract with G-UNIT. If you had TRICK TRICK on your roster you would have scored money points.

trick trick

At the same time, you should be looking to release TRICK TRICK from your roster as soon as possible because the chance of him getting a gold record with G-UNIT or even releasing a record with them is pretty slim, and I’m not talking Shady. TRICK TRICK is a G, and they need him to keep the SUGEs of the world in line. That’s not going to help you score points in the cRap Music Fantasy League. Here is a breakdown for the points system…

MONEY POINTS

  • artist reaches gold certification – 500 points
  • artist reaches platinum certification – 500 points
  • artist signs a marketing/merch deal(clothing/soda pop/etc.) – 250 points
  • artist receives award – 200 points
  • artist signs a record label deal – 100 points
  • artist releases an album(mixtapes NOT incl.) – 100 points
  • artist releases a music video – 50 points
  • artist releases a Billboard top 25 ranked single – 50 points
  • artist album review/cover story in MSM (NYTimes, SPIN, Rolling Stone) – 25 points
  • NOTORIETY POINTS (for crimes artist lose money points)

  • artist does jail time – 500 points(-100 money points)
  • artist arrested for assault – 300 points(-50 money points)
  • artist arrested for sexual crime – 200 points(-50 money points)
  • artist arrested for gun/drug possession – 100 points(-25 money points)
  • artist arrested for tax evasion – 50 points(-25 money points)
  • artist arrested for DUI – 50 points(-25 money points)
  • artist appears on Oprah – 200 points
  • artist appears on non-OPRAH talk show – 50 points
  • artist cameo on television program – 100 points

  • ROSTER TRANSACTIONS

  • artist may not be dropped/signed until the end of playweek (Saturday 11:59pm EST)
  • artist may not be resigned once dropped
  • if artist becomes deceased during playweek record label has option to submit another artist name for transfer
  • there is no limit to number of dead artists that a label may hold
  • there is no limit to number of female artists that a label may hold
  • labels may hold only (1) R&B vocalist
  • Now’s the time for questions and comments to help me refine the playing field. If you see anything that you think needs to added please put it in the comments section. There is an e-mail issued to everyone that put in a label request previously. Answer that e-mail with your label name and you are good to go.