Archive for the ‘Billy Sunday @ XXL’ Category

DP In These Streets…

Thursday, June 25th, 2009

decon

It gets mad hectic early tomorrow…

From 530pm to 930pm @ The South Street Seaport…

DeCon Media x Paper Magazine presents Chester French and Kid Cudi

FREE!!!

Later @ Terminal 5…

Sneaker Pimps sponsored by Antenna Magazine
featuring Big Boi (and his fugazi Air Jordans?), Jadakiss, Clipse, Wale, and others

In New York City, Mondays are like Fridays everywhere else because Fridays in NYC are a fuckin’ spaceship. I hope I have enough videotape for all of the shenanigans.

pimps

Can’t Stop, Won’t Stop…

Wednesday, June 24th, 2009

the roots

Do you understand that the essence of Hip-Hop, ne, of all music, is the sound of the drum and the timbre of the voice. Thunder and lightening. Or enlightenment, as in the case of Black Thought.

You should already know that I fux with the Roots hardbody. If I had a trust fund to lean on I would just follow them around the country like people used to do Jerry Garcia and the Grateful Dead. I don’t have that advantage so I have to carefully plot out my Roots experiences.

I feel like the band has been in my New York City backyard as much as they used to come out here back in 1995. That was in the old days of the Wetland’s, S.O.B.’s, Tramps, Black Lily and Spitkicker. Back when Rawkus Records really mattered. This time I’m taking full advantage of their artistry. My advice to all my friends on this site is to do the same. You won’t know what you have missed until it is gone.

OKayPlayer posted their summer tour schedule today and there are more dates listed than I expected. In the back of my mind I think that the Roots are really the RoBots because these fools don’t stop performing. Last month they came to NYC to tape the Jimmy Fallon show, afterwards they performed behind Etta James and then later that night I caught them at the Highline Ballroom for their weekly Jam Session. Who the fuck grinds this superfluously (shouts to Roget’s for that one)?!?

Like I always say partypeople, “get in where you fit in”…

Saturday 6/27/09 Chicago Rock The Bells @ First Midwest Bank Ampitheater
Sunday 6/28/09 Detroit Rock The Bells @ DTE Energy Ampitheater
Tuesday 6/30/09 Cleveland @ House of Blues
Wednesday 7/1/09 NYC Jam Session @ Highline Ballroom
Thursday 7/2/09 Minneapolis @ First Avenue
Friday 7/3/09 Milwaukee @ Summerfest
Saturday 7/4/09 Philadelphia Welcome America Celebration on Ben Franklin Parkway
Sun 7/5/09 Burlington, VT Festival @ Burlington Waterfront Park
Tues 7/7/09 Lansing, MI @ Common Ground Festival
Weds 7/8/09 NYC Roots Jam @ Highline Ballroom
Fri 7/10/09 Las Vegas, NV @ Hard Rock Hotel & Casino – Outdoor Pool
Sun 7/12/09 Baltimore/DC Rock The Bells @ Merriweather Post
Tues 7/14/09 NYC Roots Jam session @ Highline Ballroom
Sat 7/18/09 Boston, MA Rock The Bells @ Comcast Center
Sun 7/19/09 New York, NY Rock The Bells @ Jones Ampitheater
Tues 7/21/09 NYC Roots Jam session @ Highline Ballroom
Fri 7/24/09 Atlantic City, NJ @ Borgota Casino
Sat 7/25/09 Burnaby, British Columbia, CAN @ Deer Lake Park
Tues 7/28/09 NYC Roots Jam session @ Highline Ballroom
Sat 8/1/09 Montreal, CAN @ Osheaga Music Festival
Sun 8/2/09 Grand Bend Ontario, CAN @ Cutting Edge MusicFestival
Tues 8/4/09 NYC Jam Session @ Highline Ballroom
Saturday 8/8/09 Los Angeles, CA Rock The Bells @ Glen Helen Ampitheater
Sunday 8/9/09 San Francisco, CA Rock The Bells @ Shoreline Ampitheater
Monday 8/10/09 NYC Roots Jam Session @ Highline Ballroom

O’Regional Gangsters…

Tuesday, June 23rd, 2009

us regions

If there is anyone on the XXL website that could be accused of blatant regionism it certainly would be me. I showed you fools years ago that Texas was not part of the South, but actually part of the Midwest yet still you fools argued with me. Maybe I was doing that just to be a pip. I’ve kind of been that way my whole life.

I might have been wrong for that attitude in the past especially during the heyday of OutKast, 8 Ball, MJG, Juvenile, No Limit and Goodie Mob, but I’m certainly not wrong for that assessment now in the era of D4L, Get Rich Click, Soulja Boy Tell’em and the rest of the lowest common denominator rap pack that seems to use Atlanta as their main hub of operations.

The last thing I want this drop to be is some joint associated with hating on Soulja Boy. I don’t give a fuck about Soulja Boy. I don’t care if he makes enough money to bail out General Motors. Ed McMahon just died today and it turns out that he was damn near penniless after a lifetime in the entertainment industry. Don’t talk to me about money in rap music because that ain’t real.

This is why rappers like 50 Cent will always have a lane in the urban soundscape. Not too many people I fux with can afford shit right now and the more rappers describe aspirational shit that we can’t even confirm the existence of the more they will conscript themselves to the fickle whims of the pop music marketplace. Louis Vuitton baby stroller?!? Negro please (shouts to Ron Mexico).

But when rappers talk about the shit that broke motherfuckers like myself can relate too, they strengthen their urban sensibilities and their *ugh* street credibility. Why else are the Black Eyed Peas trying to get their hardbody points up? First off, Fergie pops shit with Perez Hilton to see if he will slap the shit out of her so she can get him pinched on some Chris Brown shit.

Perez Hilton is stupid cunning, while Fergie is only just a dumb cunt so now she goes to get Will.I.Am (er, his bodyguards) to mollywop Perez for talking out of pocket. The last thing the Black Eyed Peas want to do is fight with you. A You Got Served dance off? Yes. A barroom battle royale? Not so much. But in this recessive climate you had better look like you could live on the streets.

So even though 50 Cent has mansions all around America he is going back to renting a one bedroom apartment in the projects just so that he can reinforce his stature as an urban icon. It’s what ‘War Angel’ is signifying and what the audience for urban music is craving. No more of these flights of fancy where Black dudes reminisce on the new wave pop classics from the 80’s (this makes me slightly sad because I always <3 the Thompson Twins).

Speaking of War Angels, shout out to Gabriel Tolliver, who at my age joined the Army to make films for them. You have to be a member of the armed forces in order to make propaganda for them since you will see some shit that the general public has no idea of. The Army has to vett you to make sure that you aren’t Al Qui’ada or worse, Michael Moore. All the shots you see in feature films of army apparatus come from the armed services as well.

I saw previews of Transformers 2 and I wondered how many of those shots were done by Gabe. It’s a trip what we do to make a living in this game called life. From Soulja Boy Tell’em to a real soldier Gabe Tolliver its all good in the ‘hood. It ain’t never about where you are from party people, but where you are at.

Rappers Are The Young & The Restless…

Wednesday, June 17th, 2009

rappers

Don’t you remember a few months ago when we finally decided that cRap music was the new WWE movement? Now all of a sudden the rap game has become a fucking soap opera (a novela para todos mis dominicanos on the threads). Nobody likes anybody anymore and everyone is sleeping with each other [ll].

Why won’t NaS give Kelis any bread? Is that baby his? Or is this one of those Usher situations where he is paying child support for some other dude’s seed? That shit happens in the cRap game more than we can even remember. Didn’t Diddy damn near raise Al B. Sure’s loin products while he was schtooping Kim Porter? Russell Simmons has his war baby daughters calling an African refugee daddy. Okay, maybe not.

Now what happened between Gucci Mane and Young Jeezy? I thought all these southern rappers stuck together to make crappy music? There was this myth that all these performers from Atlanta had enough love for the paper that they could put aside their differences to hop on a Rich Boy remix together. Except Shawty Lo and T.I. They aren’t really fuxing with each other right now.

They’re FRENEMIES

I thought that Young Jeezy didn’t fux with T.I. either, because Jeezy was CTE and T.I. was Grand Hustle? And who is BMF? Gucci Mane? Is Rick Ro$$ still Carol City or did he switch up to Lens Crafters because he likes shades so much. Don’t let me find out that Ro$$ is now SHC (Sunglasses Hut Cartel). I’m obviously not paying close enough attention to this cRap shit.

I need to know who is in jail right now. Is anyone keeping a scorecard at home? I’m glad that DMX is free again. When we would have slow news days around here at the XXL virtual offices X was always good for getting arrested for violating his probation. Whick reminds me… Where the hell is Jayceon Taylor? He hasn’t been arrested in a minute. In between all of this bullshit I keep spinning the new Mos Def album. Its dope and pushes up the level of discourse.

Mos Def isn’t exempt from the drama either. I see where he has challenged other cRappers to a pay-per-view cage match. Someone please send Mos the memo. Rappers are soap opera stars now. Instead of wrestling they’ll just be young and restless.

Rebirth Might Be Stillborn…

Tuesday, June 16th, 2009

lil wang

The new trend for Lil’ Wang albums has been the pushback to the release date. Wasn’t the Carter III a year late? The Carter III was also a Grammy laden platinum album so if all the trends stay true to form ‘Rebirth’ will be another successful CD.

Contrary to most of you internets I fux with the ‘Prom Queen’ track. Sure it wasn’t anything that Led Zep or Pink Floyd would have produced but as far as Hip-Hop rock hybrid tracks are concerned it was better than anything Limp Bizkit ever out out, including ‘Nookie’ [ll].

I like the idea that Wang was going to make an auto-tune rock album. That shit hasn’t happened since Peter Frampton did that shit a thousand years ago. I don’t know how many rock fans will cross over to rap music but I bet a lot more rap music listeners will start to develop their ears for sound of shrill guitars. Rap listeners are generally more openminded than people that listen to other music anyhoo.

Rap music is such an amalgamation of diverse and disparate musical genres that rap fans can listen to almost any other form of music if someone puts a sick drum beat behind it. This is why rap music will be played in the future, even if it is wack shit from the Beastie Boys. James T. Kirk was blasting the Beasties before he ran his car off a cliff. BTW, go see Star Trek 2009 if you haven’t already.

So you all know I am no Lil’ Wang fan on this page, but right now in 2009 this dude is 2 for 2 on my scorecard. First was that ‘Prom Queen’ song and now is this ‘Ready For The World’ track. It’s not the Clash or progressive headbanging rock music but it is definitely serviceable rock rap when that subgenre has had the toughest time putting out music for the masses. I mean, there are my folks in Game Rebellion, but how much shit have they released to the web for people to review?

Lil’ Wang hasn’t gotten any better at writing profound lyrics that will last the test of time but he sure does have the emotive quality of someone that believes in the gibberish he is saying. That quality now counts for something in my mind. It’s almost like Wang regressed backwards mentally and he knows it and he’s trying to fight it, but then it gets too hard so he stops trying. I can relate to that. that is how I felt about college. If I had made a peer network maybe I might have graduated, maybe not though since I had a peer network in high school and I dropped out of there too.

The two songs I have heard from ‘Rebirth’ sound dope to me. Maybe the reason the album keeps getting pushed back is because these are the ONLY two songs completed. Lil’ Wang is lucky he isn’t an Aftermath artist. With this kind of output ‘Dre would shelve his album indefinitely (see: Rakim). I know Wang is touring his ass off and the what not but that is no longer an excuse to completing an album in this day and age. Music gets e-mailed back and forth like vocals do. Shit gets slapped together and yu don’t even realicze that none of the performers were ever in the studio at the same time.

What would be beautifully ironic would be the ‘Rebirth’ album being a DallasPenn certified classic while everyone else on the internets pans it vociferously. That could happen too. I loved ‘808s & Heartbreak’ while the majority of the internets shitted on that joint. I bet half them dudes play that shit to themselves every morning. The internets can be so emo. Just like Wang on this track…