Archive for the ‘Straight Laced’ Category

KILLA BEES 4 LIFE = WU TANG FOREVER

Tuesday, November 28th, 2006

wu tang forever

Rest In Peace to the OL’ DIRTY BASTARD


Tonight’s show at B.B.Kings featuring RAEKWON, REDMAN, KEITH MURRAY and SMIF-N-WESSUN promises to be one of the great Hip-Hop events in NYC this year. Along with the all star lineup performing on stage the blogging superfriends will be in the building.

OH WORD! will undoubtedly drop a recap. Check him out tomorrow.

RAEKWON featuring GHOSTFACE & NAS – ‘Verbal Intercourse’

MADE IN AMERICA?!?

Tuesday, November 28th, 2006

chaingang

Before I get into this deep shiite I need to acknowledge everybody that has put this site in their bookmark toolbar. You folks are the reason I am sleep deprived and losing my mind. I thank you though because I have never been more alive either. You challenge me to be a better person than I would be on my own. If time is money you people are helping me get out of debt. As an aside, REGINA from Sweden, your candygram is on its way.

Now let’s get down to business. Literally. I’m sure that most of you have seen mention of the term ‘prison industrial complex’. It’s a term that I’ve heard from activists for many years and I assumed that meant that prisons were using their inmates to produce items that benefitted the administration of the state. Things like license plates and highway signage seemed like a smart idea to me as a way to procure some type of labor from people who were incarcerated anyhoo. We’ve all seen the image of the chain gang that digs trenches and canals for statewide infrastructure projects. In that framework I had no problem with the fact that these people were paid a slave wage for their labor since it was part and parcel of being locked up.

The wormhole goes way deeper than just that bucolic view of prison labor. If you think that HBO’s ‘The Wire’ is the most gangsta shiite evar then please peep the link here to the Maryland Correctional Enterprises Prison Enhancement Program. The Federal government passed legislation during the Carter adminstration that allowed states to form PRIVATE corporations to manage their penitentiary labor forces. These private companies could now charge the state for producing the things they had always created like license plates and highway signage, but even bigger than that is the fact these private corporations could invest in the equipment and facilities to diversify the items that were being made. There is a direct correlation to the disappearance of factories and industrial hubs within the United States. We were led to believe that manufacturing had been outsourced overseas to China. The truth is that manufacturing is still in America, except it is no longer done by unionized workers. It’s done by prison inmates.

The privatization of Americas prisons is fucked the fuck up on a trillion levels. Firstly, as a private sector company it’s first concern must be it’s bottomline and that of the shareholders. The focus of any corporation is to maximize profits and for the prison industrial complex to do this it needs an endless supply of fresh bodies. The more bodies means the more items may be generated for sale. Rehabilitating prisoners, or even releasing them is actually bad for business.

The second reason that this arrangement in anti-American is because it shatters the manufacturing industry that provided real jobs at living wages for real people. By paying people a slave wage for tangible labor these prison industry corporations are creating a permanent underclass. When an inmate is released from the penitentiary he has skills that are only applicable to work inside the penitentiary. It should be no surprise to any fair-minded person why the rates of recidivism have skyrocketed.

I have researched several states that have created these private prison industrial corporations and each one sells their products to public and private entities. It used to be that these corporations only made items for use in the public sector. From furniture and fixtures to state agencies and public schools and other public use facilities. These corporations have begun to craft items that are being sold to private businesses on the internets. At the cost these prison companies are fabricating items you can expect other industries to close shop due to cost overruns and diminshing profit margins.

All I’m saying is that the next time I see a ‘Made In America’ tag you can believe my ass is gonna take pause (no DAME DASH).

“I Get Wild Like LARRY DAVIS”

Monday, November 27th, 2006

igwlld

I know that I’ve sworn off using YouTube videos in my drops, but let’s face it, they’re a beast with force that you can’t deny. Kind’a like your mans-n-them ESKAY from Nah’Right.

Nah’Rizzle dropped a link the other day to this series of YouTube’s documenting the story of NYC cult hero LARRY DAVIS. Most people aren’t built to withstand the heat that comes from the entire NYPD trying to kill you while the supremacist media simultaneously castigates you. LARRY managed to do that. He lost his ability to walk in the process, but he never lost his will to live.

Peep dude’s true story…









An Open Letter To ESKAY Of Nah’Right…

Sunday, November 19th, 2006

friends...

As some of you may know, our brother in the blogosphere, has now left the stratosphere. For some time now NAH’RIGHT has been popping hardbody on the internets, but his official coronation came this week as he will become an official correspondent of the T.I. machine. This is a good thing despite what some might think from the outset. Yes, Island Def Jam is part of the overall corporate monster that has sold cRap music and Hip-Hop culture to the highest bidder, but for every SHAWNNA and RICK ROSS you get a GHOSTFACE and a ROOTS Crew. The T.I. machine is a necessary evil in this day when people are downloading entire albums almost two weeks in advance of release dates.

NAH’RIGHT’s coronation as a legitimate media outlet is similiar and even somewhat greater than BOL’s ascendence on the XXL mag website. This is a validation for all of the sites that having been fighting the good fight to bring real Hip-Hop music back. Whatever that means. These sites have been showing the diversity and knowledge of the Hip-Hop listener from the artistic aesthetic to the consumer basepoint. Without them there would be no NAH’RIGHT…

  • BYRON CRAWFORD
  • NOTES FROM A DIFFERENT KITCHEN
  • UNKUT
  • WE EAT TOO MANY SHRIMP
  • COCAINE BLUNTS & HIP-HOP TAPES
  • THE RAP UP
  • HIP-HOP BLOGS
  • Can you imagine my surprise when I tuned into N.R. the other day and I saw this drop?


    “Ghostface Promo tee – I have one and you don’t. You mad?”

    I am pretty sure ESKAY was just joking with us (although I would like a tee shirt if you got a 3XL). I just don’t want ESKAY to go Hollywood and become a shill for any media outlet unless they are putting his daughter through private school. You can’t measure the value of one voice when the truth is being spoken. Just like our voices were heard on election day this month. ESKAY has become our collective voice inside of the matrix. He has to realize that he is grinding for all of those that didn’t make it this far – R.I.P. NASTACK.

    The next step is to see what the powers that be put into action now that they know how we feel. Will we get to hear more releases from REDMAN, JOE BUDDENS and MEMPHIS BLEEK (okay, maybe not so much BLEEK)? Or will they continue to slowly choke Hip-Hop and its diverse talent base to the point that no one will be able to release an album without the production of LIL’ JON? As ESKAY prepares himself to enter the T.I. matrix I would send him this e-mail…

    ESKAY,

    What the deal family? I guess I have to call you Young Blogosphere now. Congrats on your success with Def Jam. Shit is about to get really crazy now that you have been annointed the savior of Hip-Hop on the internets. Alright, maybe it wasn’t that serious, but there is a real movement at N.R. and the people with control of the machine want you to get down because you have control of the hearts and minds. Those things are worth more than the machine itself in the long run.

    Don’t stop the real talk. If niggas need to take off their sandals then you gotta tell them. If niggas is wearing pink furs and pink MAC lipstick you gotta put ’em on front street. Your constructive criticism and your ear for the Hip-Hop that radio doesn’t play is why I tuned into N.R. Don’t become a T.I. posterboy. Keep Nah’Right hardbody ya’ heard?

    ‘Lo_4_Life

    -DP

    how many of us have them?

    TODD McFARLANE Was A Boss On Spider-Man…

    Friday, November 17th, 2006

    mcfarlane spiderman

    I have featured my favorite comic book artist JOHN BYRNE almost exclusively on this site. I also gave some burn to the great BILL SIENKIEWICZ and I had to give shine to the graphic storytelling skills of FRANK MILLER. All these dudes I can trace back to an artist named NEAL ADAMS, who was an influential artist and comic storyteller from the 60’s and early 70’s. NEAL ADAMS did some killer Batman shit, X-Men and most notably, Green Arrow/Green Lantern. NEAL ADAMS was the first cat to illustrate the faces of heroes in lifelike detailed distress that let the reader know that being a superhero was hard fucking work.

    JOHN BYRNE bit hard off some of ADAMS’ style techniques while FRANK MILLER made social themes central to his stories like ADAMS’ did. BILL SIENKIEWICZ was just a trippy hippy artist. When TODD McFARLANE burst on the scene in the late 80’s he took Marvel Comics flagship hero to new heights. McFARLANE was definitely influenced by the BYRNE-MILLER-SIENKIEWICZ holy trinity of comicbook illustration.

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    TODD McFARLANE illustrated Spider-Man with verve and action. The covers described the web slinging wall crawler as almost ready to jump from up the book. He gave the two dimensional format of comics a third dimension. This was a storytelling technique that FRANK MILLER stole from NEAL ADAMS. When you see a character break out of the panes of the storyboard and jump across the page of the book it makes your sightline move in an other than normal fashion. TODD McFARLANE also filled the panels with a wild amount of details. I would pore over the comic for hours to see who he drew in the background of a scene.

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    McFARLANE also had the good fortune of creating one of Spider-Man’s most feared and loved villains in the past twenty five years. The villain character called Venom was a fearsome and ruthless creature. The by-product of an alien parasite and a person that hated Peter Parker/Spider-Man’s guts to the nth. Venom was determined to end Spider-Man’s career and break his bones. Spidey barely lived to tell the tale after tangling with Venom. That’s why I admit that I am a little nervous about this new Spider-Man movie coming out this spring. With all the villains that have been created already it might be hard to make a fourth movie. This third installment is gona be the shizzz.

    sm316